DoNArTNeWs

Tecu’Mish Munha’ke, Put on Your Big Girl Panties and Cowgirl Up, three assemblages at The Plastic Club.

Tecu’Mish Munha’ke submitted three assemblages for the New Members 2012 exhibition, Put on Your Big Girl Panties and Cowgirl Up, Out of Order (a large assemblage sculpture that grabs your attention) and Feed Me.  Take that all you Untitlers out there!

Cary Galbraith, Frog Hollow, oil, at The Plastic Club New Members 2012

At first glance DoN thought this languid landscape was by Robert Daniel Bohne’ but then DoN overheard someone say that she, Cary Galbraith, painted with Bohne.  The cross influences artists have on each other is one of the best parts of being involved in an art group like the Plastic Club and is a hallmark of the Philadelphia art scene.

Leon Graff, Parkside, acrylic, at the Plastic Club New Member 2012

“Leon Graff was born in South Africa and was trained in South Africa and London. He has lived and exhibited in London, Seattle, Halifax, Nova Scotia, Montreal, Boston, Philadelphia and New York City. His paintings hang in many private collections in New York City, Philadelphia, Canada, Florida and Europe.”  - Fine Art Liasons website

Leon Graff’s paintings capture the vibrancy and fun of the thriving Philadelphia art scene.  Congratulations to the New Members of The Plastic Club.  Learn more about the art club in DoN’s interview with Bob Jackson on the Philly Side Arts blog.  Member’s of the Plastic Club looking to expand their web presence and consolidate their social networking links may consider an artist portfolio page on Side Arts.

Photographs by DoN Brewer
Kodak Digital Cameras

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Sanding Ovations, Treasure Island, Florida

DoN was reading the art blog on the Huffington Post and came across a story about a sand castle artist.  DoN attended the Sanding Ovations Sand Castle competition on Treasure Island, Florida in November 2011 and was impressed by the high content level of the sand castles created with such lowly materials.  Sand castles is a misnomer because the artist’s create sculpture out of a difficult and ephemeral material.  DoNArTNeWs abandoned the story as vacation pics and not Philadelphia Art related, but it was a really good show, very competitive and extraordinarily creative.  And if Huff Post can cover sand sculpture art, so can DoN.

The metaphors and memes are just all over this category of sculpture from fading beauty to art as play to time conquers all.  The term sand castle just blows up with memories of childhood beach days.  Sanding Ovations exposes art to the community in a fun, understandable if confounding way and creates an experience design that’s inspiring to kids and adults.

First Place Prize and Sculptors Award Winner at Sanding Ovations.

The sand castle metaphor is apropos for artists who have to pull together disparate elements creating an object like a painting to be accepted by the community as a work of art.  Like herding cats, DoN chases after elusive grants, competes for wall space in art shows, makes new art, visits art shows, writes and promotes daily, constantly developing the DoN brand.  The sand castle DoN is working on now includes this blog, Contributing Writer to Side Arts, a tech start up, Philly based company, offering an excellent web presence for artists and DoN is near completion of a new book about Lilliana Didovic based on her art and the reviews DoN has published on DoNArTNeWs and Side Arts.

Karen M commented she hadn’t seen DoN around much lately, he’s been building sand castles and the wind and the waves slow his progress.  But, today The Philadelphia Sketch Club and The Plastic Club have openings with an abundancce of art and artists, last night DoN experienced Kile Smith’s, Vespers with Piffaro the Renaissance Music Band and The Crossing at Old Saint Joe’s Church in Old City - there’s another show today, if you can get tickets, the music, singing and orchestration is transcendental.  Talk about castles made of sand, about forty singers and musicians come together and produce an hour of spectacular beauty that wafts away on the breeze like a sand castle erodes from the weather.

View a clip from the Vespers premier in 2008, DoNBrewerMultimedia on YouTube.

DoN

Photographs by DoN Brewer shot with

Kodak Digital Cameras

Karen M contacted DoN prior to the start of the Philadelphia Open Studio Tours East weekend to tip him off to drive by the baseball field on Wharton Street near Geno’s and Pat’s Steaks.  Karen and DoN talked recently about the economic situation of artists, the unreliability of sales and income to cover the expense of making art.  Art costs money, usually.  Karen M and Anthony C have been tagging the city, graffiti style, with their own collectible paintings.  Using the same technique as their high end paintings on canvas, the pair uses found cardboard and posters to paint their iconic portraits, like Wisdom Kid, with stencils and spray paint, then install them where people can steal the art.  During the recent Philadelphia Open Studio Tours West, they stapled a beautiful portrait on glittery paper to the bedraggled knit-bombed telephone pole at the end of DoN’s block.  Luckily while walking KaTy the ArT DoG and Lady Doofus, the geriatric St. Bernard / Chihuahua, DoN was able to carefully retrieve the piece, the scars torn into the paper from the staples a secret prize of provenance.  Collectors across South Philly follow their messages, like the one DoN was texted, to go to a particular spot for some prime art loot.  It’s all the fun of stealing without any of the guilt.  Karen M and Anthony C prove that art can be free and fun, provocative and intellectual, thoughtful and carefree in a public arena with no fees, no charges, no costs, no juries, dealers or committees or money.  Free Art = Free Money.

Karen M & Anthony C,  Street and Free Art.

Read more of DoN’s art adventures at Philly.SideArts.

Photos by DoN.

Jessica Hoffman: Forever and After @ 110 Church Street Gallery

Dear Mad, I Really Like Your Hair! Love Johnny, hair strands from Jessica Hoffman’s head in glassine envelopes.

Jessica Hoffman: Forever and After @ 110 Church Street Gallery

Slideshow, vials of shavings from photographic slides the artist found.  Hoffman scraped off bits of each slide, saved the scrapings, then presents the slide show with the bits of image removed.  Each vial is labeled with the trip, location and time period the slides were taken.

Jessica Hoffman: Forever and After @ 110 Church Street Gallery

Talent Show, split screen video footage projected on the wall.

DoN saw this show two weeks ago and has thought about it often as he scooted around town seeing art over the Philadelphia Open Studio Tours 2011 festival, leaving little time to report.  But Jessica Hoffman’s show is about memory and the passage of time.  Forever and After incorporates three major narrative elements used in ways that look at the passage of time in abstract even obtuse angles.  “Slideshow is an investigation of memory, using a collection of found slides from the 1960s and 1970s shot throughout Europe and the United States by the same person.  Talent Show is a split screen video piece using footage shot at a school talent show on the left and my own version of the performances on the right.  Dear Mad, I really like your hair today! Love, Johnny is an installation inspired by a box of hundreds of love letters found on the street. - HeavyBubble website”  Each element of the installation recaptures moments in time that are personal, private, secret presenting them in Dada-ist style - should DoN believe that the love letters were found on the street?  Did Jessica really sit and scrape off bits of image from hundreds of slides?  The split screen throw back style to the Woodstock movie era of the video could have been shot over the Summer.  It doesn’t matter if it’s real or not, making found objects or finding found objects, then arraying them exquisite corpse style creates a strange narrative as the mind tries to grasp the connections.  At 110 Church Street Gallery, Jessica Hoffman’s installation, Forever and After, combines sweet nostalgia, contemporary oblique strategies and pure, clean, simple presentation to take the viewer on a time trip back from the future.

Read more at Philly.SideArts

Photos by DoN.

Karen S. Davies, Buddha’s Tears, mixed media, 26 x42″ @ Twenty-Two Gallery.

Karen S. Davies like cities but she likes the country better, she’s obsessed with patterns of foliage, light & darkness, the movement of water like in the back bays and marshlands of the Jersey Shore. To Davies the winding paths through the deep grasses have their own personalities, she emphasizes aspects of the natural world on the surface of her mixed media pieces.

The large works incorporate unusual yet common materials to create what Paul DuSold called a “…cosmic suggestiveness that comes through as very satisfying.”  Stop in Twenty-Two and ask Karen what the secret ingredients are that make the heroic pieces glow.

Karen S Davies, Recent Work @ Twenty-Two Gallery through 11/7/2010.

Photos by DoN.

Nicole Eiland @ Smile Gallery.  Nicole told DoN she likes the smell of burning paper and she is inspired by the wonder of nature.  Eiland uses a lot of book forms symbolizing human symbiosis destroying and creating.

Ted Warchal, Rotterdam at Low Tide, collage.

Ted Warchal, Mig Alley, collage @ Smile Gallery, Embodiment of Desire through 11/8/2010.

Ted Warchal, All Through the Censures, She Wears Her Cool Like Perfume, collage, acrylic, wood panel.

Ted Warchal explained to DoN that late Winter, early Spring he started to work small, a diversion from his found object sculptures he is so well known for.  He began creating meticulously tiny collages that look like little paintings, clustered together the pieces are subtle but on closer inspection each collage is a deep, secretive introspection on life, love and desire.

Photos by DoN.

Lilliana Didovic, Boat House Row, mixed media with crystals @ The Perkins Center for the Arts presents Through My Window, a Da Vinci Art Alliance Event.  Lilliana is one of the artists who painted the Philly Phanatics which were waving to us from all over the city last summer - Lilliana Didovic & writer Ronnie Norpel’s piece sold at a charity auction for a bundle, Congratulations!

Lilliana’s painting with crystals representing the iconic lights outlining the architecture of the houses glitters in the huge, open gallery at the The Perkins Center for the Arts in Collingswood, NJ.  Didovic’s window on the world finds glamor and glitz among the darkness of the night and the intimidating rushing river; the crystals as LEDs is genius, both forms will send us light far longer than the old incandescent bulbs stretched across the boat houses.  DoN misses the old lights, though, with the hidden narrative of guys climbing high ladders and walking along rooftops to replace light bulbs but the new lights are totally groovy.

Through My Window @ Perkins Center for the Arts.  DoN is honored to have his drawing featured in the catalog for this exciting art venture, the adjunct to the more famous Moorestown art center, is riding the renaissance wave of artistic and cultured lifestyle that is washing down Haddon Avenue with plush restaurants and historic architecture.

Executive Director, Alan Willoughby told DoN that the town has been very supportive offering the building to be renovated into an art space with workshops, galleries and vitality.  As the center goes through it’s first round of renovation, Willoughby sees a positive potential for growth in a small town with a lot of character.  Watch for a review in this week’s Philadelphia Inquirer, Da Vinci Art Alliance board members Dave Foss & Alden Cole were interviewed about their perspective on this unique exhibition.

Perkins Center for the Arts, Collingswood, NJ.

Michael DiPrinzio, mixed media @ Perkins Center for the Arts, Through My Window, A Da Vinci Art Alliance traveling exhibition through November 11th, 2010 with a special event today called Creating the Poem- 10:00 AM - 1:00 PM.  Hurry up, get over there!

Photos by DoN.

David Foss has a resume as long as your arm, participating in art shows all across the country and leading the venerable Da Vinci Art Alliance with grace and calm.  But, Foss’ current one-person show at LGTripp Gallery in Old City, Philly is a tour de force incorporating his recognizable style and exciting new direction in his paintings and sculpture.  The gallery is enormous and Foss activates every corner with exciting, bold abstractions from teetering constructions to heroically scaled fluid, drippy paintings to small, introspective pieces.  Louella Tripp told DoN, “I’m really excited about presenting Dave’s new work, representing a transition period.  He has been developing new work over the past two or three years in an exciting new direction with more structure including elements of formal work in terms of process; mixing solvents, chemicals and paint included in a measured way, the merging is brilliant!”

Throughout the gallery are a series of mono-chromatic sculptures made from found objects resembling alien habitats.  DoN can imagine climbing the ladders to find hidden technology or stored food of the gods.

David Foss @ LGTripp Gallery in Old City.

This sculpture occupies the far end of the main gallery like a hybrid house/ship/helicopter ready to start lumbering through the room.

Detail of the above sculpture - organic, anatomical, gross and beautiful, the large sculpture attracts attention like a fire alarm.

In the back room gallery space this sculpture is reminiscent of Howl’s Moving Castle with the hanging ladder to safety swiftly moving just out of reach as it lurches to take off.

Exits & Entrances is an appropriate title for the show as David Foss gradually moves into a stylistic new realm that is more translucent, poetic and free.  Now instead of his work being dense and compact, his paintings are loose, watery and transcendent.  As Foss exits his past, he enters a future as entrancing as a dream; this painting marks a point in the exhibit where Dave begins a new exploration sure to inspire, illuminate and elucidate.

Photos by DoN.

David Foss‘ sculpture made of found materials is like a futuristic robot/humanoid perched in the center of the gallery, the 2012 theme resonates throughout the room with visions of rapture, hell-fire, nothingness and hopefulness.  Foss’s sculpture reminds DoN of a futuristic boy transformed by a post-apocalyptic storm into a cyborg forced to find his way through the scorched land with feelers and antennas extended in all directions, the central brain stem in the middle of the body instead of stupidly plopped up on top where any fool could knock it off.  David Foss is the director of the Da Vinci Art Alliance and will be having a major show at LGTripp Gallery in Old City in September.

Photos by DoNBrewerPhotography.

Diane Keller @ The Dumpster Divers Gallery on South Street near 7th; the gallery is temporary contemporary like some pop-up shop for art.   Keller’s paintings of little girl outfits is sweet yet disconcerting, looking back to a time when kids weren’t covered in logos.

Diane Keller created these pillows by combining digitally printed fabric she designed at Philadelphia University as the result of an award she won at Da Vinci Art Alliance.  The artist combined vintage fabrics she’s been saving with her own painterly pattern with a lush cushion meeting the demand of the art being created with recycled materials.  Diane told DoN she recently re-created her mural of The Rizz @ The Italian Market as the result of a building rehab, the muralist says with the new paint and techniques ol’ Frank looks better than ever.

Photos by DoNBrewerPhotography