DoNArTNeWs

Lauren Sweeney, Natures Bounty @ Geechee Girl Rice Cafe.

Bananas and Oranges, watercolor.

Lauren Sweeney, Natures Bounty @ Geechee Girl Rice Cafe

Ranunculus Bud and Budding Alyssum, watercolor by Lauren Sweeney.

Lauren Sweeney said, “This is a show I decided to include just watercolors that predominantly included what I call natures bounty: fruits, vegetables, shells from the sea and some of the man made objects.  Because it’s sort of a unique opportunity for me to focus more than I have for shows in the past trying to show a little of the diversity that I’ve done.  But, this is twenty paintings, so, it’s a lot of work.  The way this show came about is that they have a curator that goes around including Post Open Studio Tours and she liked my work and asked me on the spot if I would want to do a show here.  She’s the one that arranges the show, goes to the art openings…what she did was go through the POST listings and see which artists looked good to her and then she went around to them.  She invited me out here (Mt. Airy) to see this place and I love it, this space makes all art glow.  It’s a really good space and it allows you to really see the art.  It’s a restaurant so normally you can only see it when they’re open but tonight we’re having the first art reception.”  Lauren Sweeney said she got free publicity through a free networking service called Patch, check it out.  The website gives info and what’s going on in different Philly neighborhoods but it doesn’t exist in Center City yet.

Lauren Sweeney, Natures Bounty @ Geechee Girl Rice Cafe.

Geechee Girl Rice Cafe is operated by five sisters, DoN talked with chef/owner Val Erwin about art being part of Geechee Girl Rice Cafe’s business plan, “We do regular shows of artists. I have somebody on my staff that curates them, works with the artists and hangs the shows.”  Does art draw customers?  “Well, in the most ideal situation, yes.  I mean, that isn’t why we started it but hopefully it does.”

Lauren Sweeney, Natures Bounty @ Geechee Girl Rice Cafe.

Lauren explained to DoN, “I decided early on to use existing work and create new work focused on nature, the tomato painting I started at the Fitler Square Art Fair, while I was there.  This has been a great opportunity for me to expand into this neighborhood.  I’ve met some of the gallery owners, there are all kinds and it’s been a real motivating factor.  The show is two months long and runs through the end of August.”

Geechee Girl Rice Cafe - This weekend’s specials:

• Corn chowder
• Geechee Girl house salad with herb toasted brie, candied pecans and fresh peaches
• Fried okra & jalapenos w/ herb sour cream sauce
  
• Roasted marinated beets garnished with Lancaster County goat cheese
• Geechee Girl crabcakes with herb sour cream sauce.  Jasmine rice and Asian slaw
• Chicken gumbo garnished with Carolina gold rice.  Served with sauteed greens
• Individual peach cobbler served warm and topped with vanilla ice cream.

Brunch specials

• Peach lemonade: lemonade topped with fresh peach nectar
• Orange-currant scones with white icing
• Geechee Girl crabcakes w/ herb sour cream sauce.  Jasmine rice and heirloom tomato salad
  
• Grits souffle with oven roasted tomatoes.  Thick sliced bacon and herb scrambled eggs
• Buttermilk pancakes with peaches and whipped cream

    World’s best fried chicken every Wednesday this summer.  Get there early ’cause when it’s gone, it’s gone!

Photos by DoN.

 The Commodore Barry, mixed media on panel, Jessica Barber - The Industrial Complex: A Visual Interpretation @ Twenty-Two Gallery.

Flare Up at the Refinery, 4 color lithograph, Jessica Barber - The Industrial Complex: A Visual Interpretation @ Twenty-Two Gallery.

Some Strings Attached, mixed media on panel, Jessica Barber - The Industrial Complex: A Visual Interpretation @ Twenty-Two Gallery.

Investigating the super structure of her surroundings, Jessica Barber has discovered a hidden beauty in the ugly encroachment of the industrial complex we live in.  The harsh angles and abrupt interruptions in the landscape are the leaping off points for Barber’s intense paintings and prints.  There is no secret that her endeavor for this show was about industriousness whether in her complex lithographs, an artistic technology unto itself, thickly painted industrial landscapes or thoughtful, contemplative figures, the effect is serious yet hopeful insight.  Seeing the beauty in the ugly is something we have to live with anyway, Jessica see’s the blight and decides to make something beautiful, deep and lasting for us, capturing the moment when the sun hits the bridge at just the right angle or the soft glow of oily asphalt at sunset.  There may be no right answer to the ugliness but Jessica is willing to look hard and see the wonderful patterns, colors and textures inflicted on the industrial landscape and offer answers in the form of art.

Photos by DoN.

Abandoned Conrail Railroad Car, Bonnie Schorske, 2010 @ Twenty-Two Gallery.

Bonnie Schorske travels a lot, in her current solo show she compares and contrasts two parts of the world, the Susquehanna Valley region and India.  Bonnie told DoN she is inspired by the imagery she finds along the Pennsylvania river country, the solarized photograph of a Texaco gas pump is a real time trip, just as her duo-tone photo of an Indian landscape takes the viewer on a journey to a foreign place.  The show hangs like a road map around the world, each photo a contemplative gaze on typography, architecture and nature specific to somewhere special.  Bonnie Schorske has been in a creative frenzy producing a large stash of archival digital prints on lustrous museum quality rag paper; the photographer has found a way to produce affordable, high quality prints with DIY industriousness.  Bonnie is highly skilled as a traditional wet dark room photographer but her transition to digital proves it’s not the camera equipment but the eye of the artist that makes an image work.

Bonnie Schorske, Ghost of Big Red, solarized archival pigment print on 100% rag.

This is the image Bonnie used on her art card, when DoN saw Bonnie at the recent Piffaro concert she asked if he was attending her upcoming show - DoN drew a total blank, even though he had the card propped up against his monitor, he never turned it over to see who’s card it was, the image had sold itself already.

RR Detritus and Susquehanna View, archival pigment print on 100% rag paper, Bonnie Schorske @ Twenty-Two Gallery in Center City, Philadelphia.

Bonnie Schorske, 2010 @ Twenty-Two Gallery.

Photos by DoN.

Tetsugo Hyakutake - Ephemeral Existence @ Gallery 339.

Tetsugo Hyakutake explained to DoN how he stitches together panoramic images by combining, in the above five separate photos, into hyper-realistic renderings of industrial infrastructure scenes; the naturally black and white man-made landscape, so fluid and frail is punctuated with red signs, warning lights and smeared reflections.  Tetsugo has been studying the Japanese infrastructure for years, and uses color sparingly and symbolically.  Ephemeral Existence at 339 is a large collection of alien landscapes that kind of look like Philly out by the airport but are Japanese highways, overpasses, power stations - slightly Jetson futuristic.  Hyakutake’s photos are highly realistic but actually the landscapes are outside our actual perspective, the panoramas wider than our vision, the industrial installation images glow unblinkingly, water turned into a restrained painters palette, each image is ephemeral narrating our fragile existence on Planet Earth.

Tetsugo Hyakutake - Ephemeral Existence @ Gallery 339 through May 7, 2011.

Tetsugo Hyakutake - Ephemeral Existence @ Gallery 339.

Photos humbly taken with Tetsugo Kyakutake’s permission by DoN.

Dale Levy, Perception @ Twenty-Two Gallery.

Tonight is the Center City Art Crawl but last Friday DoN attended the opening reception for Dale Levy’s Perception one-person show at Twenty-Two Gallery.  Dale told DoN that Helen Frankenthaler is an influence for her abstract expressionist paintings; the wild colors which appear so immediate actually takes a lot of time as each color dries before the next is added.

Dale Levy, On Edge, acrylic on canvas.

At the opening party a group of Dale Levy’s college girl friends were snapping pictures and hanging out with their old friend in support of her great artistic achievement.  Encouragement and persistence is so essential to an artist’s ability to persevere.  Dale Levy has developed her own recognizable style that looks back to the invention of abstraction but with a contemporary palette and stylish presence.  Make 22nd Street part of your art crawl tonight.

Photos by DoN.

Bohyun Yoon has created an experience design in the chic art gallery in the Barclay Building, every surface of the gallery is activated with a confounding display of intellectual design, superb craftsmanship, historical references and anthropomorphic symbolism vibrating in unison like a strum on a guitar.  Every nuance is considered as the exploded little bodies, each element hand crafted from custom molds, coalesce as shadows of babies cast by a single bright white light bulb on the walls.  But, when the light bulb begins making a circular motion, the tiny doll parts swinging with air movement, the whole room suddenly becomes a dream scape of dancing babies, inducing a startling sensation of floating.

On the right is the artist, Bohyun Yoon.  Yoon decided to create each doll part mold because he didn’t want to violate copyrights, he told DoN the process took more than 5 months.  Each carefully crafted element of the installation is suspended in a way that the sum of the parts creates a whole experience design, Yoon told DoN he wished to,”…create a dialog not a monolog.”

Yoon created these mirror masks to help him learn English by seeing all parts of the face he was listening to; the face recognition technology in DoN’s camera went wacko.   Bohyun Yoon is an art professor at Tyler, is a glass artist (the water filled glass bowl hat and accompanying video is idiosyncratic to the extreme), a video artist and photographer; Amie Potsic explained to DoN that Bohyun Yoon, “is smart and resourceful in his use of materials.”

Buhyun Yoon, Reforming, 9 channel video with sound, 4 minutes, dimensions variable @ Center for Emerging Visual Artists in the Barclay Building on Philadelphia’s beautiful Rittenhouse Square.  This Friday, 4/15/11, is the Center City District art crawl, the perfect opportunity to experience Bohyun Yoon: Embody.

Photos by DoN.

DoNArTNeWs began as an e-mail newsletter to a list of Philadelphia artists as suggested in the book “I’d Rather Be In The Studio“.  The big idea is to make an art date with yourself, visit a gallery or museum, talk to people, learn new things and gradually the block will lift and the fear of a blank canvas or page will fade to tolerable levels.  The book was originally suggested by friends, a group of guys (fellow artists) interested in improving their visibility in the art work through social networking.  The newsletter is a great idea but labor intensive so DoNArTNeWs gradually evolved into this blog - a review of art dates DoN (my third party voice) makes with himself, quickly Photoshopped and posted (along with constant insertions of shameless self-promotion), even though the small art alliance has drifted apart (one guy is re-covering from a torn rotator cuff, another has a neurological problem currently under control and the third is experiencing arthritis - sheesh!).  Since 2008 DoNArTNeWs has become a source of good art news in Philly.  So, when DoN’s voice became quieted due to the bodily invasion of an alien virus combined with long time chronic illness and the subsequent space-time morphing from a combination of OTC cold meds and biological disease modifying drugs, DoN is re-discovering the purpose of DoNArTNeWs and why the world around him has turned into a Philip K. Dick novel?  Disaster porn, fever dreams, waking up in a different universe with each dose of medicine has transmogrified into lack of productivity and a deep well of discontent to climb out of.

Underground Man, Apollo, & Meditation, Tom L. Torosian @ The Plastic Club through April 2011.

DoN realizes artists have come to rely on this blog for information, links and resources and is making every effort to regain his footing in the shifting art landscape and find his voice again.  DoN has received many well wishes but a recent comment on Facebook thanking him for a mention in this blog sparked some energy to keep pushing on.  Sunday DoN visited the Plastic Club which is filled with art, enthusiasm and creative spirit; the main floor is a boldly abstract expressionist solo show by Philadelphia painter, Tom L. Torosian, the upstairs studio is a group show of moving model studies with some spectacular drawings and mixed media and the Downstairs Gallery is a group member show including Leroy Forney, Charles Kelly, Yeoun Lee, Bill Myers and Sibylle-Maria Pfaffenbichler.  Torosian’s reception wasn’t until the evening so most of us gravitated downstairs with a lovely lunch spread out by Plastic Club president Bob Jackson who obviously is in love with the club’s professional grade range.  Sitting and talking, munching ham sandwiches with a group of friends about art and culture in an historic space is a healing exercise in itself.

Relationships & Reflection, Tom L Torosian - Art is Happening Again @ The Plastic Club.

Conjunction and Three Boats, Tom L. Torosian @ The Plastic Club.  Torosian’s bold neo-expressionist paintings ferment in his mind then explode from his hand onto the canvas, the expansive show of abstractions energizes and activates the gallery with a clear vision of how art can make one man happy with his life.

Sibylle-Maria Pfaffenbichler in the Moving Model Workshop show - a group show of drawings composed while the model slowly changes poses over time.  The practice helps Sibylle infuse action into her paintings of dancers which have earned her acclaim and awards.  Pfaffenbichler has a group of paintings in the Downstairs Gallery and won 3rd place for the Philadelphia Sketch Club’s Small Oils exhibit; DoN saw a preview of the Small Oils show before jurying at the invitation of PSC president Bill Patterson and Sibylle-Maria Pfaffenbichler’s fancy dancers stood apart from the hundreds of excellent contenders for the show, it was no surprise to DoN she won a prize.

Moving Model @ The Plastic Club.

Charles “Chick” Kelly @ The Plastic Club’s Downstairs Gallery.

Charles “Chick” Kelly with his paintings in the Downstairs Gallery @ The Plastic Club.  What a gentleman?  Chick’s self deprecating wit and fearless paintings of himself reveal an authenticity and genuineness of character.

Yeoun Lee @ The Plastic Club Downstairs Gallery.

Bill Myers @ The Plastic Club’s Downstairs Gallery.  Myers clever surrealistic Photoshop collages are deceivingly simple, the piece on the left is a collage of a graffiti photo with the heart bear layered in and “everyone bleeds now” text extracted from a clandestine shot of someone’s T-shirt design when combined morph into a love story with bleeding hearts, memes and symbols resonating like an orchestra of tin cans in a bag.

Bill Myers, Leroy Forney & Chick Kelly @ The Plastic Club Downstairs Gallery.

Photos by DoN.

Best Art Show Ever - A Showing of Oil & Ink & Oil Pastel Paintings by Harry Boardman @ Twenty-Two Gallery.

Harry Boardman @ Twenty-Two Gallery on 22nd Street.  DoN stopped in the artist co-op known as Twenty-Two Gallery to see the Best Art Show Ever, a collection of paintings and oil pastel drawings with a distinct regional impressionism of absorbing landscapes, architectural representation, animal images - it really makes you remember why you live near Philly.

Best Art Show Ever - A Showing of Oil & Ink & Oil Pastel Paintings by Harry Boardman @ Twenty-Two Gallery.

Best Art Show Ever - A Showing of Oil & Ink & Oil Pastel Paintings by Harry Boardman @ Twenty-Two Gallery.

Harry Boardman’s collection of art for his one man show is not narcissistic in the least, he really has the painting skill to claim his artistic turf, desirable works of art to elevate your life-style, like a Philly MC at a rap battle - Holla Back!

Dale Levy @ Twenty-Two Gallery.  Dale Levy was on duty for the artist run space, she currently has not just the bold abstracts she’s known for but beautiful representational paintings which display a different facet of her style.  The group show represents the work of influential Philadelphia artists who contribute to the artistic zeitgeist of the region with exuberant enthusiasm and tenacity.

Every time DoN walks down 22nd Street, a feeling of well-being emanates from the neighborhood, it’s so pretty, so accessible and friendly with cafe’s, shops and art.  Even though a couple of cool spots have closed due to this stupid recession the stroll feels very Metropolitan; DoN recently had coffee @ Good Karma to talk with a prominent Philadelphia blogger about some exciting upcoming news, even the gossip is esoteric.

On a cold Saturday night, DoN walked over to the Fleisher Art Memorial Gallery on Christian Street for the closing party of Rick Wright’s long running exhibition, Late Petroleum Age Vessels; a unique portrait collection of ordinary household plastic containers, bottles and jugs.  The anthropomorphic effect embedded in the rich black and white photographs of plastic bottle faces actually activated the face recognition technology in DoN’s new camera - a Kodak Z981 with 14 megapixels and 26x zoom!

But, Rick dimmed DoN’s camera shine a bit by demo-ing an iPhone app that simulates a variety of SLR cameras from a Brownie to a Leica with a wide selection of “film” and developing effects; no wonder the camera was so cheap, it’s already obsolete!?! - camera’s are not only everywhere, they’re in everything.  The ubiquity of cameras and smart phones has created a nation of photographers, to be noticed in a sea of competition you have to step outside the boat and create an experience for viewers, the same way musicians now depend on creating a live experience since the bottom fell out of traditional music marketing.  Rick Wright’s photographs engage the viewer in a staring contest, some of the faces so alien and strange that an awkward exchange of glances like meeting a foreigner speaking a different language takes place.  Fortunately, Rick is a photography teacher at Fleisher Art Memorial, his grasp of the language of photography, image-making, symbolism, content, composition, light and texture not to mention his depth of knowledge of print making in all manner of media is impressive making his art understandable.  Rick is very approachable and sharing, by helping others, by teaching and lecturing he has set himself apart as a “real” photographer who is also a fine artist.

Rick Wright will be presenting a lecture at Perkins Center for the Arts, 395 Kings Highway, Moorestown NJ, February 27th, 2011, 2 - 4:00PM.  Wright is the sole juror of the Photography 30 annual photography exhibit at the august art space, DoN is honored to be included in this year’s show - the opening reception is January 30th, 2011, 1 - 4:00PM.

Rick Wright, Late Petroleum Age Vessels @ Fleisher Art Memorial

The Photographic Society of Philadelphia holds monthly meetings at The Plastic Club with lectures by expert Philadelphia photographers, last week’s lecture was presented by super-blogger and uber-cool photographer Kyle Cassidy, author of Armed America: Portraits of Gun Owners in Their Homes and Who Killed Amanda Palmer, a Collection of Photographic Evidence, his talk a sort of primer on how to get un-stuck in the creative process by involving his audience and using exquisite corpse techniques in exhibitions to involve the community and stimulate interest in his work.  By using social media Cassidy has connected with fans and followers, currently he has an exhibition of photographs traveling the world and cities across the USA, at each stop a new image, selected in a process DoN did not completely comprehend, is added to the collection.  During the Q&A, Kyle was asked how he selects his models and he replied they needed to live in a 3 block radius; Cassidy involves his friends and beautiful wife, Trillian Stars, in impromptu photo shoots, creating characters, narrative and dramatic effects with often really simple cameras and ambient light.  Like Rick Wright, Kyle Cassidy is also glued to his iPhone, tweeting his fans with pics and ideas, keeping his brand in the public eye in a friendly, inclusive, tech-savvy manner, creating a model for the new reality of self-promotion in the art world.  DoN has resisted a smart phone so far, seeing the glowing blue faces walking the streets like zombies is off-putting, but he may soon join the pod people.

The Photographic Society of Philadelphia maintains an on-going exhibit of member photographers at the Bonte’s Cafe’s in Center City.  Even though it’s coffee shop space, the vibe is insider artist with photographers working together to keep photography viable as a sale-able product in a world full of available free images and home schooled photographers.  DoN wanted to show off his new camera to PSoP VP, Morris Klein,  but he was trumped by Klein’s Photoshop app on his freakin’ smart phone - it’s 4G, whatever that means.

Obviously, photography is in a state of flux with new, faster technology putting high-end features in the hands of the masses; digital photography bumped traditional photography and is now being bumped by smart phones and social media.  DoN sees people sharing pictures on their phones with each other, clustered around the tiny glowing screens, oohing and ahhing.  Lady Gaga has introduced a new line of Polaroid cameras incorporating instant pictures, with social media upload capability and a little wireless printer you can send pictures to from your phone so you can print them out and share with friends.  Photography is inherently friendly but can be isolating and frustrating when people misunderstand the meaning of image making.

The Center for Emerging Visual Artists is very supportive of photography as art; a school of photography is growing with each new group of fellows completing their fellowships.  Leagues of photographers like Amie Potsic, Julia Blaukopf, Genevieve Coutroubis, Peter Prusinowski are working in consort, teams and individually, imprinting a new vision of how to create, produce and market photography to a generation of collectors who think photography is easy.

DoN’s photography will be included in a group show of photographers and painters, Bud Boehringer, Yeoun Lee, Bill Myers, Lorna Kent, Lee Muslin, Edna Santiago & Marcy Morris, at the Da Vinci Art Alliance Gallery opening February 25th, reception 5 - 8:00 PM.

Hold your phones up!