DoNArTNeWs

Rebekah Wilhelm, VIII - 2011 MFA Thesis Exhibition, University of Delaware Department of Art @ Crane Arts Center.

Rebekah Wilhelm, Untitled, detail

Rebekah Wilhelm, Untitled, VIII - 2011 MFA Thesis Exhibition, University of Delaware Department of Art @ Crane Arts Center in Fishtown.

Rebekah Wilhelm’s most excellent print display @ UD Crane is filled with information, tightly packed into clever, spare prints like an art lesson on less is more.  The prints of swirling words explains how viewers interact with vision, her chain link fence prints are confounding and restrictive and the reams of paper spread in a long swipe across the floor is provocative yet simple and easy. Wilhelm already has plans to go to work teaching at the University of Delaware and is considering studio space in Philly.  DoN chatted with UD Crane curator Anthony Vega, he highlighted how there was more focus on craft and skill in traditional media and no video this year.  C. Grant Cox, III includes multimedia and mechanics in his sculpture but there was a noticeable absence of flat screens and projections in the gallery.

Tara Russell,  VIII - 2011 MFA Thesis Exhibition, University of Delaware Department of Art @ Crane Arts Center.

Jacob Smiley, VIII - 2011 MFA Thesis Exhibition, University of Delaware Department of Art @ Crane Arts Center.

Tia Santana, VIII - 2011 MFA Thesis Exhibition, University of Delaware Department of Art @ Crane Arts Center.  Tia Santana’s performance/installation anchored the lower gallery by the stairs with the artist studiously braiding what looked a lot like hair into long dreads.  Dressed in white, Santana focused on expanding the mound of braids, weaving memes like “roots”, “identity” and “work” into a fascinating presentation of a simulacra-like archetype that a week later is still vibrant in DoN’s mind.

Daniel Jackson, VIII - 2011 MFA Thesis Exhibition, University of Delaware Department of Art @ Crane Arts Center.  Check out Jackson’s web site for a good look at his work, his paintings exhibit not just vibrancy and virtuosity but thoughtful content, decorative panache and strong painting science.  The glossy panels thick with layers of saturated color and ancient technique are mashed up with a contemporary sense of irony; Jackson’s paintings illustrate Vega’s observation of skill being penultimate.

Congratulations to Matt Giel for his desirable photographs, Leontien Rotteveel’s beatific objet trouve-like sculpture/installation and the entire class of UD 2011 for a refreshing look at the endurance of art.  The gallery is University of Delaware’s outpost away from school, offering students a really cool space to show their work, creating an aspirational vibe and a real clarity of vision of who artists can be after college.

Photos by DoN.

Before DoN met Todd Hestand of www.Philly.SideArts.com @ a Corzo Center for the Creative Economy event, he had already been posting blogs on the popular free artist’s website with it’s cool blog, great writing by local artists and educators, bio/portfolio pages for artists and Philly social networking.  Linking to the Philly.SideArts.com web site drives web traffic to DoNArTNeWs, posting a blurb on the site stimulates interest in all types of social, art, education, business and opportunities.  The catalog of artists who post their bios and art images on Philly.SideArts.com includes great painters like Arthur Ostroff and Karl Olsen, fine art photographers like Angelo Benedetto and digital artists like Lee Muslin, their database is superb.

Philly.SideArts.com has launched a grand new venture offering artists enhanced services such as art opportunities and expanded portfolio space at a really reasonable price, the same free site is still available and they are expanding to other cities with the same business model.  The possibilities of connecting artists, galleries, collectors, educators and business people in an easy to use, immersive design experience is really cool.   Imagine?  The Philly art scene is a model for other cities.

Art-trepreneur, Todd Hestand of Philly.SideArts.com gave away extended free memberships to artists whose business cards were pulled from a bag.  Jed, you left too early!

To celebrate the launch of the new site, Todd Hestand hosted a party at the Dark Horse Pub near Head House Square with a silent auction benefiting Philly Aids Thrift, so many artists offered donations that many had to be turned away, yet, there are still several fine art pieces available at the on-line auction including DoN’s “light being (Joey Ramone)“.   All the proceeds go to Philly Aids Thrift, please bid, there is some really cool art for a great cause.  The party drew a crowd of artists, friends and the art-erati such as Da Vinci Art Alliance’s Lilliana Didovic, artist/entrepreneur Jed Williams, the master Arthur Ostroff and Art in City Hall’s Guru, Tu Huynh - Todd did a terrific job explaining the benefits and services for the new and improved site and really mixed it up with the crowd.  Visit the Philly.SideArts site to see how vibrant, inspiring and diverse the Philly art scene really is and follow the progress of a thoughtful, intuitive idea to help artists connect in a meaningful way.

The silent auction sponsored by Philly.SideArts benefiting Philly Aids Thrift.

The Philly.SideArts.com easy to use homepage.  Join!

Bohyun Yoon has created an experience design in the chic art gallery in the Barclay Building, every surface of the gallery is activated with a confounding display of intellectual design, superb craftsmanship, historical references and anthropomorphic symbolism vibrating in unison like a strum on a guitar.  Every nuance is considered as the exploded little bodies, each element hand crafted from custom molds, coalesce as shadows of babies cast by a single bright white light bulb on the walls.  But, when the light bulb begins making a circular motion, the tiny doll parts swinging with air movement, the whole room suddenly becomes a dream scape of dancing babies, inducing a startling sensation of floating.

On the right is the artist, Bohyun Yoon.  Yoon decided to create each doll part mold because he didn’t want to violate copyrights, he told DoN the process took more than 5 months.  Each carefully crafted element of the installation is suspended in a way that the sum of the parts creates a whole experience design, Yoon told DoN he wished to,”…create a dialog not a monolog.”

Yoon created these mirror masks to help him learn English by seeing all parts of the face he was listening to; the face recognition technology in DoN’s camera went wacko.   Bohyun Yoon is an art professor at Tyler, is a glass artist (the water filled glass bowl hat and accompanying video is idiosyncratic to the extreme), a video artist and photographer; Amie Potsic explained to DoN that Bohyun Yoon, “is smart and resourceful in his use of materials.”

Buhyun Yoon, Reforming, 9 channel video with sound, 4 minutes, dimensions variable @ Center for Emerging Visual Artists in the Barclay Building on Philadelphia’s beautiful Rittenhouse Square.  This Friday, 4/15/11, is the Center City District art crawl, the perfect opportunity to experience Bohyun Yoon: Embody.

Photos by DoN.

Sneak peek -  Yeoun Lee and Bud Boehringer @ Diverse Perspectives, Da Vinci Art Alliance, February 25th - March 26th, 2011 - Reception: February 25th, 5 - 9:00PM

Diverse Perspectives @ Da Vinci Art Alliance: Bud Boehringer, DoN Brewer, Lorna Kent, Yeoun Lee, Marcy Morris, Lee Muslin, William Myers & Edna Santiago.

Opening this Friday, February 25th, 2011, 5 - 9:00PM @ 704 Catharine Street, Philadelphia.  The group show is the result of the tenacity and determination of a few artists determined to keep one of the few art spaces left where they can display their work open for the winter months.  DoN was invited by Da Vinci Art Director, Dave Foss without whose help this show would not have happened, to join the group after several artists could not help Bud Boehringer, who came through with the Benjamins commitment, to pull together a show.  Bud said he would do an installation by himself but it turns out there is such a demand for artists to get their work in public view that literally overnight the group grew to eight artists - and, guess what?  The show is fabulous with a series of events planned to bring visitors to the South Philly gem of a gallery including this weekends double receptions Friday and Sunday - free and open to the public.

DoN Brewer, Utter Blackness, digital photograph, inkjet print @ Diverse Perspectives.

DoN is exhibiting a new group of abstract landscape and architectural detail photographs; working to install the art with DVAA Director Dave Foss was not just an educational experience regarding the math of hanging a show but learning to see the thematic layout, abstract paintings with abstract photographs, representational work resonating with each other, a visual flow, he had it all laid out ready to install with the skill of a professional curator.  DoN had the rare experience of arranging his own work in an art gallery, a supremely satisfying experience, and helping to show the work of friends in their best light is transcendental.  But it’s nothing like the excitement DoN feels for Edna Santiago and Bill Myers for their brilliant introduction to the fabric of the art community known as Da Vinci Art Alliance, Friday night should prove to be joyful.

Edna Santiago, Art Adventure: Friday, March 4th, 4 - 8:00 PM - please visit the gallery and hear Edna’s inspirational story of the healing power of art and how she has channeled her energy into developing an art school for poor kids in a rural fishing village in Puerto Rico.

Saturday, March 5th, DoN will host a conversation, Search Engine Optimization for Artists, 2 - 4:00 PM; DoN will share tips, tactics and code to help your website be more search-able.

Like Da Vinci Art Alliance on Facebook to learn more about more DVAA Diverse Perspectives Events throughout March, 2011.

Photos by DoN.

Downstairs Gallery @ The Plastic Club - Eileen Eckstein, Karen Frank, Morris Klein & John Schmeichen.

Eileen Eckstein, the president of the Photographic Society of Philadelphia, lamented to DoN that she had failed to sign her work since the Plastic Club uses a numbering system compared to labels and she was concerned her colorful photographs would be confused with the work of PSoP VP Morris Klein.  But, have no fear, the styles of these two creative talents is unique, each expressing their own vision through photography.

Downstairs Gallery @ The Plastic Club - Eileen Eckstein, Foto One Dollar O $3 Pescoes, photograph.

John Schmiechen, Carman’s Country Kitchen, oil & Keeping Watch Over Manayunk, oil @ Downstairs Gallery @ The Plastic Club through February 25th, 2011.

The former basement is now a swanky gallery with a hearth, a tricked out print room and a big kitchen where Bob Jackson prepares some of his famous feasts.  The gallery is intimate with the feel of a hidden treasure that you only learn about by being part of the art-erati.   The multi-media show features work by member artists whose names are drawn randomly from a hat during a ceremony, usually by a cute kid, the artists then each show about five works.  DoN’s name did not get drawn from the hat but due to unusual circumstances he now has the opportunity to participate in the next show opening the same weekend as the Diverse Perspectives show @ Da Vinci Art Alliance, February 26th, 2011  - DoN will have art on display at four local art galleries simultaneously including the on-going PSoP show @ Bonte’s and the Photography 30 show @ Perkins Center for the Arts.  You may ask why DoN is being so conceited in a story about his artist friends?  It’s because the work of the people at the Plastic Club and the Photographic Society of Philadelphia: Eileen, Morris, Bob, Mike, Alan, Cynthia… help to keep DoN’s creative fires burning.

Barbara Keough, Three Out of Four Ain’t Bad, mixed media @ Plastic Club New Members 2011 Art Exhibition.   The Plastic Club has 36 new members and a low attrition rate due to the warm, welcoming laid back vibe of one of the longest running art clubs in America.  The New Members show is exceptional in the wide variety of media from fiber arts to painting, drawing and photograph; you would think there would be a tipping point but the leadership of The Plastic Club is sensitive to the needs of artists and makes every effort to help them develop through leading workshops, critiques, Salons, and monthly exhibitions including the Downstairs Gallery (the subject of DoN’s next post on DoNArTNeWs).

Barbara Keough’s painting embodies the spirit of the new group joining the club, her painting is witty, fun, cheerful and beautiful - a small painting which lights up on it’s own especially in the newly refurbished Plastic Club Gallery.  And the number 42, of course, is the answer to the ultimate question posed in The Hitchhikers Guide to the Galaxy.  The Plastic Club uses a unique numbering system which requires visitors to refer to a printed guide but also allows seeing the work for itself without being influenced by the cult of personality or reputation of the artist.

Chick Kelly @ Plastic Club New Members 2011 Art Exhibition.  Chick Kelly’s wonderfully ebullient and erudite character shines through his paintings combining contemplative color palette with stinging symbolism and strong story telling.

Maria Viataki, Dreams of Havertown, acrylic, Alexandra Pinero, Amaris Is Hazel, oil, & Burton Greenspan, Sun Lee, oil @ Plastic Club New Members 2011 Art Exhibition.  Doesn’t this look fabulous?

S.F. Pfaffenbichler, Rock I & Rock II, oil @  Plastic Club New Members 2011 Art Exhibition.

S.F. Pfaffenbichler @ Plastic Club New Members 2011 Art Exhibition.

Bob Jackson & Alan Klawans un-scrolled Sylia Pfaffenbichler’s action drawing from the Plastic Club’s on-going series of workshops called the Moving Model, the model slowly changes poses over a period of twenty minutes forcing the artist to quickly see and commit the image to paper, the results are evident in Pfaffenbichler’s great, joyful paintings of jazzy dancers.

Michael B. Tantaros, What, graphite & Yeoun Lee, Over the Rainbow, mixed media - DoN loves seeing these works together, the fine drawing is of Bill Myers, fellow photographer and Yeoun Lee who are both in the group multi-media art show Diverse Perspectives @ Da Vinci Art Alliance, reception February 25th, 2011, 5 - 9:00 PM, featuring the work of eight Da Vinci Art Alliance member artists.  DoN will be presenting Search Engine Optimization for Artists , Saturday, March 5th @ 2:00 PM, as part of the Diverse Perspectives exhibition running throughout March in the historic gallery in South Philly.

Past president Michael Guinn and current president Bob Jackson address the new members who have joined the Plastic Club, their leadership has improved participation exponentially and upgrades to the historic building are continuous - the back yard parties are infamous, too.

Jane J. Wilkie, Blue Sky, acrylic, Reta Sweeney, Snow on Stewart Lake, oil, Cara Kendric, Song of the Dawn, mixed media and Denise Romano Bright, Wisteria in Bloom, hand colored photo @ Plastic Club New Members 2011 Art Exhibition through February 25th, 2011.  Welcome to the New Members and thank you to The Plastic Club team for providing a venue for artists to grow and develop without feeling intimidated.

By the by, DoN has been updating the Album pages on the Plastic Club website, it’s a work in progress but the pictures will bring back many memories.

Michael B. Tantaros, Who, graphite @ Plastic Club New Members 2011 Art Exhibition; DoN is particularly drawn (no pun intended) to Tantaros‘ descriptive drawing and atmospheric naturalism.  The Plastic Club is famous for it’s inspiring workshops where artists can work with a live model for 3 hours really cheaply, an important factor in creating great art.

Don McPartland, Secession man, Weather Report & Free Range, mixed media @ Plastic Club New Members 2011 Art Exhibition.

Bill Myers, Dead Squirrel on My Bed, photograph & Robert Heiler, Winter’s Evening, watercolor @ Plastic Club New Members 2011 Art Exhibition.  Bill Myers surrealistic photographs will be on view at Da Vinci Art Alliance February 25th - March 26th, 2011.

Photos by DoN.

Kimberly Witham @ Introduction 2011 - Center for Emerging Visual Artists New Development Fellows @ Moore College of Art & Design Widener Memorial Foundation Gallery, Feb 2nd - 19th, 2011.

Kimberly Witham told DoN people presuppose she Photoshop’s her work but her mise-en-scène photographs are real still-life compositions, elements of which have a limited shelf life.  The pictures of pretty headless birds in cups and on plates dredge up memories of dead birds on the street and questions of why they fell from the sky.  About half of the photos included in this ground-breaking exposition are film, half digital, a seem-less transition between mediums made transparent by Witham’s virtuosity, she’s a professor of photography at Bucks County College, a school with a long tradition of excellence in photography education.  The road kill element is shocking and beautiful, a sweet, sad commentary on urban wild life.

Maggie Mills, Crops, oil on linen.  Maggie and DoN got into an animated discussion about”fracking“, another painting in the show is titled Frack, the practice of injecting noxious chemicals into the Earth’s crust to break it up and release “natural gas“.  This clean fuel puts unknown dangers into the families and communities who live where fracking takes place by releasing toxic chemicals into the water table, scary shit, Mills’ painting shows an adolescent crouching, head to knees, while visions of matrix-like drills descend from the sky.

Daniel Kornkrumpf uses fiber like colored pencils for his portraits of on-line social network profie pics he’s found over time - a long time since the densely embroidered portraits may take months to produce, unlike a drawing which may take an afternoon.  The isolated faces floating in large blank fields of fine linen examines the connection of the isolationism of social networks and the self-portraits that make you think, “Really?  That’s their best look?”  Instead of attracting attention, ridicule and mockery may result, by the way Plenty of Fish often advertises in the DoNArTNeWs sidebar, please, click through, Valentine’s Day is coming up.  Kornkrumpf will continue his unique fiber portraits but is pursuing drawing and painting for the upcoming show at the Ice Box in late spring.

Daniel Kornkrumpf

Mami Kato created these futuristic sculptures by unraveling rope she imports from her home, Akita Japan,creating domes of fiber reminiscent of the rice fields at home after harvest and clumps of stems line the horizon.  Kato surprised her audience by picking up the light weight, yet densely compact, domes, revealing the Trompe-l’œil. 

On the left is Alison Stigora, represented in this show with a magnificent drawing of a giant cosmic crystalline flower in mixed media including drawing, prints, chalk and wax but is also in an awesome show at LGTripp Gallery in Old City through February 26th. Next to her is Maggie Mills, behind Mami is a collage of digital prints by Jennifer Williams that is a totally steal-able idea - who knew, collage could be so cool.

Lewis Colburn, The Pursuits of a Gentleman, mixed media installation with ten photographs and steamer trunk.  This assemblage was a fave of Spike Howard, Philly’s finest wind farm engineer, for it’s sense of time travel, irony and elegance.  DoN loves how CFEVA treats photographers as true artists who belong at the table with painters and sculptors.

Arden Bendler Browning @ Introduction 11

A Fishtown native who’s studio is in the Crane Arts Center, Browning obviously takes full advantage of the large work space to create massive paintings, this color field of speeding urban images, like you see out of the corner of your eye as you zoom down the Expressway, is abstract expressionist yet a kind of contemporary cubism with obtuse angles and cracked spacial warps.  DoN easily sees Arden Bendler Browning taking the opportunity of the fellowship that CFEVA offers and running with it, her work is complex yet accessible, perfect for contemporary collectors.

DoN inquired of new fellow Don Edler as to how he came to win the CFEVA fellowship and he generously explained how he meticulously researches grants and awards, looks at winners of previous competitions, discovers which other awards or grants they’ve received and applies for them, too. By making applying for grants part of his business plan, Edler makes it almost sound easy and is proof that persistence, patience, targeted yet broad research into funding, exhibition and publicity works like a charm.

Congratulations to the new fellows!

Katie Murken‘s studio @ 1241 Carpenter Street.  Katie’s shish-kabob-like  sculptures were installed at the Fringe Night Club during the Festival, in her studio they compliment her paintings with Brancusi-like forever-ness.

Katie Murken makes beautiful books, each piece a perfect little world of conceptual nuggets from puns to memes and back.

Katie Murken is working on a book project involving a mathematical formula of color preparation for simple house paint then applied to each page of a phone book.  The translucent paint dries curling the pages, deforming the book into a sculptural element to hang on the wall. Murken shared her code book with lola & DoN, a complicated method of color mixing involving weighing pigment assuring a satisfying tonal transition.

David Donahue Book Restoration is just down the hall from Katie Murken’s studio, his space is a restoration laboratory reviving old and rare books.  The gregarious Donahue explained how his work is not just technical but requires ingenuity, artistic skill and research in order to match bindings and liners, David’s stories about book hunting would make a great TV show.

David Donahue Restorations @ 1241 Carpenter Street.

Amze Emmons @ 1241 Carpenter in South Philly.

Amze Emmons body of work describes refugee architecture like the edge cities of Beijing where stalled development is retrofitted by clever scavengers.  Like a William Gibson scenario, Emmons spare paintings with the drawings showing through like pentimenti highlight the refuse and refuge of civilization as communities are built where they don’t belong.

Amze Emmons prints for sale @ the Philadelphia Open Studio Tours 2010, East of Broad Street weekend.  Our final stop of the day @ 1241 reminded DoN of his first show with POST, the opening party was held in the same space when Monica Turtle, a beautiful person & talented designer, curated Art @ Sophi, it’s gratifying to know the 3rd floor walk-up in South Philly is still operating as a creative space for fine artists.

Photos by DoN.

Meg Saligman re-imagined the mural (the previous two artists Bill Friedman & Sam Donovan were unavailable) @ Broad & Vine Streets incorporating LED lights that will morph the painting into a multimedia art installation that is one of a kind in the world.  The three panels tell a story about nursing from personal care to record-keeping-to technological expertise in the dreamy style Saligman has developed in her many beautiful walls through the city but this one lights up - Cool!.  The Mural Arts Program has twenty-two separate events throughout October, Jane Golden said there are thousands of sites seeking murals.  The mural @ Broad and Vine is dedicated to Florence Nightingale and all nurses everywhere.

Many local nurses are portrayed in the enormous painting; DoN has always relied on the kindness of nurses, his favorite Aunt Fran is a nurse, still helping even in retirement.  Meg Saligman made sure to invite all the participating artists and models to take the stage with her, the platform was crowded with volunteers and artists alike, a testament to Meg’s ability to make people team up and the crowd cheered their achievement.

Jane Golden introduced Mayor Nutter to the crowd attending the dedication of the mural; Philadelphia’s Mayor addressed the crowd to celebrate the mural and it’s importance to the city, he praised Jane Golden and her team of artists at the Mural Arts Program and the value of nurses and medicine to Philadelphia.  DoN really likes Mayor Nutter and his support for the arts in Philly but in a surreal twist, the mayor’s speech was cut short by protesters from ADAPT, a very organized group of demonstrators of disabled people trying to close nursing homes and encourage group home living instead.

This mural @ 13th & Ludlow Streets is a handmade woven mural, master-minded by Super-Artist Kathryn Pannepacker in association with the Mural Arts Program, using mats made by homeless and disaffected people living in shelters.  When people start weaving they start to heal and learn a skill, find self satisfaction and hope.  The piece was created as part of the Finding Home Project gaining Katheryn and the project kudos on NPR’s Dr. Dan Gottleib, Volunteers of America website and American Craft Magazine.  You can help by shopping at the handmade by the homeless Gallery on South Street and talking to your representatives about rights for people who can’t help themselves.

detail of the woven mural @ 13th & Ludlow Streets, Philadelphia.

Photos by DoN.

Arists ask DoN about art show opportunities frequently, here are some heady themes to get your creative juices flowing:

Off the Wall Gallery @ Dirty Franks - Call for Entries for DEJA VU: ART AND MEMORY, our upcoming Sixth Annual Juried Exhibition:

Off the Wall Gallery @ Dirty Franks - Call for Entries for DEJA VU: ART AND MEMORY, our upcoming Sixth Annual Juried Exhibition

Off the Wall Gallery @ Dirty Franks - Call for Entries for DEJA VU: ART AND MEMORY, our upcoming Sixth Annual Juried Exhibition Prospectus

Da Vinci Art Alliance

Picturing

The Decameron

An awards exhibition of Da Vinci Art Alliance @ Smile Galleryfeaturing art inspired by International Opera Theater’s new  production of Boccaccio’s Decameron

Picturing the Decameron Da Vinci Art Alliance Prospectus

 For artists interested in participating in the November Da Vinci @ Smile show based on our collaboration with International Opera Theater’s production of Boccaccio’s Decameron (prospectus attached), here’s a list of the scenes Karen Saillant will feature (with references to the day, story numbers in the book):

Prologue, Florence, Calandrino
I, 1:  Ciappelletto di Prato - evil notary
IX, 1:  Federigo and his Falcon - poor knight
VIII, 3:  Maso del Saggio and the Enchantment of Calandrino - lapidary
IV, 1:  Ghismunda and the Heart in a Goblet - princess of Salerno
IX, 2:  The Habit of Mother Usimbalda
V, 8:  The Wedding of Nastagio degli Onesti
X, 10:  Griselda and the Marquis of Saluzzo
Postlude, Calandrino

Please note:  you can submit up to 3 entries; depending on the number of entries received, we will do our best to install all works.

Decamero

world premiere

Based on Decamerone by Giovanni Boccaccio

Music: Efrain Amaya, Michael Djupstrom, Daniel Shapiro,

Adam Silverman, Tony Solitro, Thomas Whitman, Ya- Jhu Yang,

Libretto: Karen Saillant

Italian Translation: Tommaso Sabbatini

November 12 and 13 at 8 PM

November 14 at 3 PM

The Prince Music Theater

ACT I Prologue;

Calandrino (who comes out of his giant costume, which consists of large pieces of fabric with scribbling all over them) speaks to the audience about The Plague and implores all of the individuals sitting in front of him to leave the premises immediately because The Plague is killing everyone!! (Gavoccioli-the name of the large boils that appear on the body as a result of The Plague)

Calandrino narrates in English

·         First Day: First Story- Thomas Whitman, composer
The scoundrel Ser Cepperello manages to pass himself off as a virtuous man during his last confession. After his death, he is remembered as Saint Ciappelletto and people pray to him for favors and believe him capable of performing miracles.

Calandrino narrates in English

·         Fifth Day: Ninth Tale
A young gentleman by the name of Federigo falls in love with a beautiful lady named Monna Giovanna. He spends large amounts of money trying to gain her attention but she remains indifferent to his love. Eventually he loses everything and is forced to live in poverty in a little farm with only his beloved pet falcon for company. Meanwhile Monna Giovanna’s husband dies and her son falls very ill. The sick child asks his mother to get him Federigo’s falcon. She goes to visit Federigo to ask for the falcon. As she arrives at Federigo’s house, he is very distressed to see her and not having any food in the house to offer her  and not knowing the cause of her visit, Federigo kills his falcon and makes it into a meal for his beloved lady. After dinner Monna Giovanna reveals the reason for her visit. Federigo is devastated that he cannot help her and she has to leave empty-handed. Monna Giovanna’s son dies. After a period of mourning, Monna Giovanna, who is rich and still young and beautiful, rewards Federigo’s loyalty by marrying him.

Calandrino narrates in English.

·         Eighth Day, Third Story

Calandrino overhears the lapidary, Maso del Saggio, talking to himself about a place where mountains are made of parmesan cheese and vines are hanging with sausages. Calandrino is enchanted with the idea of visiting this place and is especially determined when he learns about the stone called The Heliotrope that it will make him invisible. He shares the story of the heliotrope with his friends Buffalmacco and Bruno and they continue the ruse as they pellet him with stones all the way home from The Mungone River.

Calandrino narrates in English

·         Fourth Day, First TaleTancredi, Prince of Salerno and father of Ghismunda, slays his daughter’s lover, Guiscardo, and sends her the heart of her lover in a golden cup: Chismunda pours upon it a poisonous distillation, which she drinks and dies.

ACT I

Ninth Day, Second Tale
An abbess rises in haste and in the dark, with intent to surprise an accused nun in bed with her lover: thinking to put on her veil, she puts on instead the breeches of a priest that she has with her. The nun, after pointing out her abbess’s head covering, is acquitted by the abbess. The abbess extols the virtues of love and thenceforth allows all members of the order to find it easier to meet with those interactions which bring them to greater love.

Calandrino narrates in English

Fifth Day: Eighth Story
Wealthy Nastagio degli Onest is in love with a lady of noble lineage who despises him. Discouraged, Nastagio leaves town and, in the wilderness, witnesses the frightening scene of a young woman who is chased down by a knight and murdered by having her back slit open and all of her organs pulled out of her and throw to wild dogs. The knight explains to Nastagio that they are both souls in torment, doomed to repeat the scene for years. The deed is part of his punishment for his having committed suicide in despair at being rejected by the lady. The lady in turn is punished for her pride and cruelty in rejecting the love of the knight. Nastagio has the idea of making arrangements to have his beloved witness the scene. Once she sees the naked woman murdered for her cruel and cold heart, she changes her mind about Nastagio and agrees to be his wife.

Calandrino narrates in English

·         Tenth Day: Tenth Story
The nobleman Gualtieri marries Griselda, a peasant woman. At first he treats her well but then decides to test her obedience. He speaks to her abusively and takes away their two infant children, suggesting to her that they are to be killed (in reality, they are taken to Bologna and raised by friends). Griselda bears this with patience. Her husband then expresses his wish to divorce Griselda and sends her back to her father’s peasant house. Pretending to be making arrangements for his new wedding, Gualtieri calls back Griselda and orders her to take care of all the preparations, including the welcoming of the new bride and her brother. Putting up with it all, Griselda obeys and graciously receives the beautiful young woman. Gualtieri then reveals the truth and announces that the supposed bride and her brother are really their own children, now nineteen and twenty years old. Griselda is congratulated on her heroic patience and obedience and welcomed back as the lady of the home.

Prologue: Calandrino returns to book, admonishing everyone to be attentive and leave town as quickly as possible.

Main Issues of Decameron Opera:

• Main colors will be red, black and white (but Artist should not limit themselves to these colors if they do not want to.
• literal and symbolic meaning of The Plague
• The Plague as symbol for the healing that can take place after a great tragedy
• Condition and direction of society in the late Middle Ages and early Renaissance and as it speaks to us today
• SYMBOLS:
• Apple, its seeds, especially the center of the apple, known as the pentacle
• Blood Stone: Heliotrope, known as the bloodstone.
• Land of Bengodi (similar to idyllic land of Cockaigne )
• Stories as “mirrors” of vices and virtues
  
• literature as medicine for healing society
• costumes modern, with taste of Middle Ages
• emergence of playful, light-hearted, human, and humane view of life after a great traged-
• critique of human vices marked by understanding and humor rather than heavy moralizing.
• hypocrisy of religious and moral authorities; superstitions and the gullibility of people.
• Beauty, pleasure, love, laughter and play as privileged values
• carpe diem ethos of work
• mixing of people from different social levels and classes;
  
• more egalitarian society where merit is based on actions and character,rather than birth or inherited wealth

Both of these long running art spaces have track records for attendance, participation and recognition in Philadelphia - support your local art galleries by entering the shows, visiting the galleries and volunteering to help produce these events.  Thanks to Dr. Deb Miller of DVAA and Jody Sweitzer @ Dirty Franks for their efforts!

Center for Emerging Visual Artists

 Artist, Career Development Program Fellowship

Organization: The Center for Emerging Visual Artists

Job Categories:Curatorial, Education, Marketing & Public Relations, Philadelphia County (PA), Artist Development & Residencies, Foundations/Fellowships, Visual Arts

Free two-year fellowship in the Career Development Program at The Center for Emerging Visual Artists. The Center for Emerging Visual Artists strives to provide the essential support services and programs emerging artists need to build sustainable careers. Our Career Development Program Fellowship offers a select group of talented artists the following: a two-year fellowship period and lifelong alumni affiliation, group exhibitions around the region and beyond, a three person show in the second year of the fellowship, professional development workshops, mentorship, community, volunteer opportunities, individual career counseling, and alumni solo exhibitions and travel grants.

To Apply:Eligibility requirements include the following: Applicants cannot be full-time students. Applicants must live within 100 miles of CFEVA (all of New York City and boroughs included). Applicants cannot have a contractual agreement with a commercial gallery or gallery representation. For the online application and further eligibility requirements, go to http://www.cfeva.org/cfeva_programs_career.aspx  For more information, contact Amie Potsic, Director of the Career Development Program at The Center for Emerging Visual Artists, 1521 Locust Street, Lower Level, Philadelphia, PA 19102, 215-546-7775 x 12, amie@cfeva.org, www.cfeva.org.

Deadline: 11/01/2010

Good Luck!

LoVe

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