DoNArTNeWs

Allison Kaufman talks about Dancing with Divorced Men, a series of photos and video at the Center for Emerging Visual Artists, October 27th, 2011.

Hear Ana B. Hernandez‘ artist talk at Philly.SideArts.

• “Modulate” A Spotlight Exhibition featuring Career Development Program Fellows Ana B. Hernandez and Allison Kaufman

  October 26 - November 22, 2011

  The Center for Emerging Visual Artists, 237 S. 18th Street, The Barclay, 3rd Floor, Philadelphia, PA 19103

Photos and video by DoNBrewerMultimedia.

Jessica Hoffman: Forever and After @ 110 Church Street Gallery

Dear Mad, I Really Like Your Hair! Love Johnny, hair strands from Jessica Hoffman’s head in glassine envelopes.

Jessica Hoffman: Forever and After @ 110 Church Street Gallery

Slideshow, vials of shavings from photographic slides the artist found.  Hoffman scraped off bits of each slide, saved the scrapings, then presents the slide show with the bits of image removed.  Each vial is labeled with the trip, location and time period the slides were taken.

Jessica Hoffman: Forever and After @ 110 Church Street Gallery

Talent Show, split screen video footage projected on the wall.

DoN saw this show two weeks ago and has thought about it often as he scooted around town seeing art over the Philadelphia Open Studio Tours 2011 festival, leaving little time to report.  But Jessica Hoffman’s show is about memory and the passage of time.  Forever and After incorporates three major narrative elements used in ways that look at the passage of time in abstract even obtuse angles.  “Slideshow is an investigation of memory, using a collection of found slides from the 1960s and 1970s shot throughout Europe and the United States by the same person.  Talent Show is a split screen video piece using footage shot at a school talent show on the left and my own version of the performances on the right.  Dear Mad, I really like your hair today! Love, Johnny is an installation inspired by a box of hundreds of love letters found on the street. - HeavyBubble website”  Each element of the installation recaptures moments in time that are personal, private, secret presenting them in Dada-ist style - should DoN believe that the love letters were found on the street?  Did Jessica really sit and scrape off bits of image from hundreds of slides?  The split screen throw back style to the Woodstock movie era of the video could have been shot over the Summer.  It doesn’t matter if it’s real or not, making found objects or finding found objects, then arraying them exquisite corpse style creates a strange narrative as the mind tries to grasp the connections.  At 110 Church Street Gallery, Jessica Hoffman’s installation, Forever and After, combines sweet nostalgia, contemporary oblique strategies and pure, clean, simple presentation to take the viewer on a time trip back from the future.

Read more at Philly.SideArts

Photos by DoN.

Paige West, Founder and Curator of West Collection of Contemporary Art, Les Stoetzel, Director of West Collection and Gary Steuer, Chief Cultural Officer, City of Philadelphia Office of Arts, Culture & the Creative Economy answer questions about the expanded West Collects Prize after Mayor Michael Nutter’s announcement at Philadelphia City Hall.  West Collects has increased their budget and is dedicating $100,000.00 to collect art from Philadelphia artists to be exhibited in the gallery and halls at Philadelphia City Hall for six months next year.

Video by DoN Brewer

Super Nova, Photoshop collage, digital print, DoN Brewer, 2011

Decorating the Haus of DoN has been very gratifying, reinforcing the DoN brand with his abstract landscape photographs, including the “light being” series, original graphic prints and oil paintings, setting tableau’s and displays throughout the studio and is ready for visitors.  DoN’s body of work has grown substantially, DoN’s first creative job was Display Manager for a department store retail chain in the 1970’s, tapping into those skills has been nostalgic and liberating, marketing DoN’s product line like he did in the garden department at J.M. Fields.  Usually DoN’s major art works are packed and ready to show when opportunities arise and the Haus is decorated with the works of DuSold, DuPree, Stango and outsider artist Danny Gayder, the work of Masters influencing the path of DoN’s interests and goals.  The DoN collection would not exist if not for the influences of artist friends and mentors as well as collectors, helping refine DoN’s eye and continue art production with confidence.  After weeks of preparation DoN is looking forward optimistically for a delightful weekend of seeing old and new friends and sharing his art.  

The Haus of DoN is dedicated to all the artists participating in Philadelphia Open Studio Tours 2011; DoN understands the aches and pains of finishing projects, solving problems and decision-making involved in making an art work space inviting to visitors.  Thank you to the Center for Emerging Visual Artists for undertaking the task of organizing the citywide art event that is unique to Philadelphia.  Thank you to all the readers of DoNArTNeWs and Philly.SideArts; DoN is grateful to all the artists who share their skills, talents and stories for the art enthusiasts not just in Philly but around the world who follow DoN’s incursions into the realms of the art world throughout the city.  This weekend is also the opening of a month long exhibition by the Photographic Society of Philadelphia, the oldest photography society in America, at the Plastic Club with opening receptions each Sunday afternoon 2:00 - 5:00 PM; DoN has two favorite photographs included in the prestigious show of fine art photography.

A special shout-out to DoN’s nephew Bud Irwin serving in the Army in Afghanistan; knowing Buddy’s marching across arid desert mountains loaded with gear makes DoN stronger and braver to make new work, produce more videos, write more reviews, do more crunches at the gym and plan challenging new projects for the future.  Philadelphia Open Studio Tours 2011 is an opportunity to be optimistic, to brush off the haters, ignore the art bullies, defy the critics, escape the economic reality and be free to be an artist living, working and producing art in America.  The Haus of DoN, 2028 Pemberton Street, welcomes you.

LoVe

DoN

HD Video - watch in full screen mode - DoN

Video by DoNBrewerMultimedia

DoN has been bustling around the studio getting ready for POST, Philadelphia Open Studio Tours 2011.  While painting walls, rearranging furniture and making new works, DoN has been absorbed in implementing suggestions made by Todd Hestand @ The Corzo Center for the Creative Economy.  DoN is improving his social networking by having DoNArTNeWs art blog synergize with the various communications options available like FaceBook (DoNArTNeWs - DoN Brewer Art Review), YouTube (DoNArTNeWs - DoNBrewerMultimedia) and Twitter (@DoNNieBeat58).  By simply consolidating the information on DoN’s homepage, DoNBrewerMultimedia, visitors now see all the options to connect with DoNArTNeWs and DoN’s art work. writing, information, promotions and videos in one place.

The DoNArTNeWs FaceBook fan page has been a particular challenge with interesting rewards.  When DoN posts a blog on DoNArTNeWs or Philly.SideArts, part of the process is “advertising” the story on Facebook, promoting the story on as many relevant art “fan pages” and “group pages” as possible.  The DoNArTNeWs fan page automatically posts a tweet on Twitter and already DoN is trending with new followers.  DoN has a major photography show at the Hopkins House Gallery of Contemporary Art, the FaceBook events feature is an easy way to contact all your “friends” and estimate how many people will actually show up at the event.  Here’s the rub, you may have to contact each page and person individually to “like” your page, or reciprocate your link, or comment on a post.  DoN asked Todd Hestand how much time he spends per day promoting Philly.SideArts on social networks, “About two hours.”

Video will be a big part of future DoNArTNeWs reports making YouTube integral to the whole.  With HD quality video built into most digital cameras and smart phones, it makes sense to take a little time to make a movie, especially now that iMovie is so easy.  DoN has a cache of unseen footage that has been languishing since last Summer when he had to disassemble his video suite due to unforeseen forces.  But with POST forcing a studio clean-up, soon some major stories will include video clips as well as photographs and reviews.

August turned out to be a busy, creative time for DoN, making new work, participating in art shows, published in two art books, Da Vinci Art Alliance Then and Now: 1931 - 2011 (available on Amazon.com) and 175 Years of Reflection, Laurel Hill Cemetery 1836 - 2011 (available in the Laurel Hill Cemetery gift shop, really, there’s a gift shop), well received articles at the Philly.SideArts blog and a record number of page views on DoNArTNeWs.  It is such an honor to be included in two books documenting art history in Philly and to be recognized as “the press” by so many galleries and artists.  Thank you so much to all the fans of DoNArTNeWs, the support and feedback inspires DoN to keep it up.  Look for new and improved DoNArTNeWs and Philly.SideArts stories and if you’re on FaceBook please “like” the fan pages of the organizations you support, these pages are good resources for what’s happening on the art scene in Philly and opportunities for you to participate in our burgeoning creative economy.

Andy Warhol’s real last name was Warhola,  Banksy is a made-up name, Lady GaGa is made up, there are one name stars like Cher, Madonna, Christo - the idea is to build a brand, be memorable and stand out in a crowd.  P!nk uses an exclamation point as does famous Philly artist Burnell Yow! to make their name stand out.  DoN is attending seminars at the Corzo Center for the Creative Economy at the University of the Arts, on a cold early Spring evening, CO-COO of ZEROTO5IVE, Michelle Pujadas, an expert in business branding, lectured at length about famous brands and their imagery.  DoN worked up the nerve to show her his business card in front of the room full of art entrepreneurs, the card with the big red DoN and crown which the branding guru then critiqued at length.  She liked the big N in DoN because it looks different and quirky, big & red always works, she liked the crown a lot, a memorable image that creates links in the viewers mind but thought the mouse drawn crown should be simplified, she did not like the swirly pink background at all (DoN tried to explain the tie-in to his website but if you have to explain…start over) and she particularly critiqued the hand feel of the card, what DoN thought was slick and shiny Michelle Pujadas felt was slimy!  Slimy!  Her card has a memorable logo and lush, velvety touch with room to write personal notes.  Ink doesn’t even adhere to DoN’s old shiny/slimy cards.

DoN also learned that he was over-promising services on his business card; as a multimedia designer and artist it seemed important to list all of his skills including Flash, seo, video & reiki.  What DoN learned was that even though those activities are ones he enjoys doing, working with others on their ideas or problems isn’t always a satisfying experience.  DoN learned at the Corzo Center for the Creative Economy events to be able to express what he does as a business in the length of time it takes to ride an elevator.  So, with his new business card design, DoN highlights what he likes doing best - art, blogging, photography & web deign - if search engine optimization, Flash animation, producing video or healing pesky past life issues with reiki enters the conversation, cool.  If not, oh, well.

ZEROTO5IVE also recommended simplifying the color palette of the card, DoN eliminated the disco swirls and changed the font up a little, still his favorite Futura, a geometric sans-serif typeface designed in 1927 by Paul Renner, but now the D is a bit bigger, the o a bit smaller but the capital N remains capitalized, a favorite of the audience and the expert presenter, even people in the back row got it.  The crown in DoN’s new logo is now the W from the free font called IntellectaCrowns from www.dafont.com designed by Intellecta Design, a Brazilian type foundry interested in typographical research and revivals of all forms of ancient typefaces and handwriting styles.  It searches historical churches, museums and similar institutions to develop handwriting and other fonts from old documents. This kind of research is not common in Brazil. In addition, their design team also works to create new and modern typefaces for all applications.  DoN removed the Flash animation with the dizzying swirl and unexpected noises from his homepage, too.  DoN has people say to him all the time,”The Don with the big N, right”.  People also think DoN looks like Wille Nelson, but that’s another story.  A simple typo has turned into a moniker, logo and brand that folks remember, even if they think it’s a mistake.  The big N continued when DoN began writing this blog,  DoNArTNeWs - DoNBrewerMultimedia Reviews the Philadelphia Region Art Scene, now with over 60k hits per month, thank you, and the typo has become a meme.

Now, DoN’s card is still bold but simplified, the advice from the Corzo Center for the Creative Economy has helped DoN re-focus his energy and values on projects that re-invigorate, inspire and develop his brand - DoN with a capital N.  As a result of meeting entrepreneurs at the Corzo seminars DoN is now a Contributing Writer, providing exclusive content about the arts, to Philly.SideArts, an artist portfolio and arts opportunity website.  And it started with a typo.

Logo by DoNBrewerMultimedia.

The Center for Emerging Visual Artists - Construct @ Crane Arts Center.

Every corner of the mammoth Icebox Gallery in the Crane Arts Center is activated with visual signs, symbols and sensory stimuli.  Last January curator Amie Potsic sent a call for ideas to the Fellows of The Center for Emerging Visual Artists for the huge art space in Fishtown.  Site specific works were encouraged, developed and confirmed by April and last week all the pieces fell into place and Construct, an invigorating, unique, studied look at contemporary art and how assemblage, construction and collage is integral to the new way of seeing.  The photo above looks so Rauschenberg but it’s mash-up of two large installations, one a trippy multiple collage by Jennifer Williams applied directly on the walls and a large assemblage by Don Edler that sprawls across the concrete floor like a drift of entrancing debris.

Don Edler @  The Center for Emerging Visual Artists - Construct @ Crane Arts Center.

Mami Kato in coming to the end of a long relationship with the special Japanese grass she uses to create the sinuous sculptures which take years to make to a new direction using resin for the bio-morphic sculpture in the foreground.  Her work looks so beautiful in the Gray Area, tying up the space in a confounding knot of dense yet floaty tubules.

The Center for Emerging Visual Artists - Construct @ Crane Arts Center.

Laureen Griffin plays with styles, textures, composition and sexual role models - huh?  DoN overheard a comment, “What’s that girl doing in the chair?”  The girl is dressed quite masculine, like a business woman, reading a paper, a strong contemporary image of a black woman set against the grain of an antebellum manor.  Intensely conflicting narratives zipped through DoN’s neural network from stories embedded in the fabric, visual cues in the styling and strangely involving decor.  Gorgeous!

The Center for Emerging Visual Artists - Construct @ Crane Arts Center.

Kimberly Witham was concerned for a moment that the photographs that are so huge in her studio would seem dwarfed by the scale of Icebox, but arrayed salon style, the still life photographs using dead animals, wallpaper and found objects read perfectly well.  The beautifully rendered still life photographs are so bitter sweet, we get to look at beautiful creatures living on after death in a work of art, an exquisite corpse of a different kind.  Witham’s photographs drew a crowd of people who stood and stared a long time; the mixture of repulsion and fascination, ugly and beautiful, cheery and morbid strums a tender nerve.  And the concept that raw steak is not just the color of cabbage roses but can be sexually Dali-nian is genius.

The Center for Emerging Visual Artists - Construct @ Crane Arts Center.

Alison Stigora, Whirlwind, charred wood, site specific installation.  Like a charcoal drawing in space, Whirlwind is a feat of imagination swirling up like a tornado; Stigora and a friend hand-charred the wood, pulling logs from the fire and dousing them with water to preserve the scarred luminous iridescence of the wood for the construction.  Alison wants all DoNsters to know she is not a pyromaniac, having a healthy fear of fire and does not play with matches.  The imposing sculpture continues Stigora’s investigation into the fractal like forms of the natural world, especially trees and all that art owes to them.

The Center for Emerging Visual Artists - Construct @ Crane Arts Center.

Alison Stigora, Whirlwind, detail.

The Center for Emerging Visual Artists - Construct @ Crane Arts Center.

Lewis Colburn was seated atop a 15 foot wooden tower where he typed War and Peace by Tolstoy during a performance at the opening reception; Colburn typed out part of the book relating to a theory about history and calculus, a repetitive process which spilled a long stream of paper into a puddle on the floor.  The Center for Emerging Visual Artists - Construct @ Crane Arts Center.

Lewis Colburn @ The Center for Emerging Visual Artists - Construct @ Crane Arts Center.

Maggie Mills has five paintings included in the exhibit, each artwork representing a bit of the anxiety she feels about the political and ecological environment her young daughter is growing up in.  Mills’ paintings incorporate compressed narratives, coupled with coming of age incidents and rituals.  In each of the paintings, young people are involved in a manner of play that involves constructions like kites but in a dream state haunted by angst, danger and fear for the future.

The Center for Emerging Visual Artists - Construct @ Crane Arts Center.

Swim Team, oil on panel, Maggie Mills @ The Center for Emerging Visual Artists - Construct @ Crane Arts Center.

Panoramic shot of the Icebox Gallery,  The Center for Emerging Visual Artists - Construct @ Crane Arts Center.

Artists exhibiting are: Noah Addis, Arden Bendler Browning, Lewis Colburn, Don Edler, Laureen Griffin, Jordan Griska, Ana B. Hernandez, Mami Kato, Allison Kaufman, Daniel Kornrumpf, Maggie Mills, Tim Portlock, Alison Stigora, Jennifer Williams, Kimberly Witham, and Bohyun Yoon.

Construct is on view through June 29th, a short run for such a big show but exhilarating in it’s scope, direction and audacity.

Photos by DoN.

 The Commodore Barry, mixed media on panel, Jessica Barber - The Industrial Complex: A Visual Interpretation @ Twenty-Two Gallery.

Flare Up at the Refinery, 4 color lithograph, Jessica Barber - The Industrial Complex: A Visual Interpretation @ Twenty-Two Gallery.

Some Strings Attached, mixed media on panel, Jessica Barber - The Industrial Complex: A Visual Interpretation @ Twenty-Two Gallery.

Investigating the super structure of her surroundings, Jessica Barber has discovered a hidden beauty in the ugly encroachment of the industrial complex we live in.  The harsh angles and abrupt interruptions in the landscape are the leaping off points for Barber’s intense paintings and prints.  There is no secret that her endeavor for this show was about industriousness whether in her complex lithographs, an artistic technology unto itself, thickly painted industrial landscapes or thoughtful, contemplative figures, the effect is serious yet hopeful insight.  Seeing the beauty in the ugly is something we have to live with anyway, Jessica see’s the blight and decides to make something beautiful, deep and lasting for us, capturing the moment when the sun hits the bridge at just the right angle or the soft glow of oily asphalt at sunset.  There may be no right answer to the ugliness but Jessica is willing to look hard and see the wonderful patterns, colors and textures inflicted on the industrial landscape and offer answers in the form of art.

Photos by DoN.