DoNArTNeWs

The Center for Emerging Visual Artists - Construct @ Crane Arts Center.

Every corner of the mammoth Icebox Gallery in the Crane Arts Center is activated with visual signs, symbols and sensory stimuli.  Last January curator Amie Potsic sent a call for ideas to the Fellows of The Center for Emerging Visual Artists for the huge art space in Fishtown.  Site specific works were encouraged, developed and confirmed by April and last week all the pieces fell into place and Construct, an invigorating, unique, studied look at contemporary art and how assemblage, construction and collage is integral to the new way of seeing.  The photo above looks so Rauschenberg but it’s mash-up of two large installations, one a trippy multiple collage by Jennifer Williams applied directly on the walls and a large assemblage by Don Edler that sprawls across the concrete floor like a drift of entrancing debris.

Don Edler @  The Center for Emerging Visual Artists - Construct @ Crane Arts Center.

Mami Kato in coming to the end of a long relationship with the special Japanese grass she uses to create the sinuous sculptures which take years to make to a new direction using resin for the bio-morphic sculpture in the foreground.  Her work looks so beautiful in the Gray Area, tying up the space in a confounding knot of dense yet floaty tubules.

The Center for Emerging Visual Artists - Construct @ Crane Arts Center.

Laureen Griffin plays with styles, textures, composition and sexual role models - huh?  DoN overheard a comment, “What’s that girl doing in the chair?”  The girl is dressed quite masculine, like a business woman, reading a paper, a strong contemporary image of a black woman set against the grain of an antebellum manor.  Intensely conflicting narratives zipped through DoN’s neural network from stories embedded in the fabric, visual cues in the styling and strangely involving decor.  Gorgeous!

The Center for Emerging Visual Artists - Construct @ Crane Arts Center.

Kimberly Witham was concerned for a moment that the photographs that are so huge in her studio would seem dwarfed by the scale of Icebox, but arrayed salon style, the still life photographs using dead animals, wallpaper and found objects read perfectly well.  The beautifully rendered still life photographs are so bitter sweet, we get to look at beautiful creatures living on after death in a work of art, an exquisite corpse of a different kind.  Witham’s photographs drew a crowd of people who stood and stared a long time; the mixture of repulsion and fascination, ugly and beautiful, cheery and morbid strums a tender nerve.  And the concept that raw steak is not just the color of cabbage roses but can be sexually Dali-nian is genius.

The Center for Emerging Visual Artists - Construct @ Crane Arts Center.

Alison Stigora, Whirlwind, charred wood, site specific installation.  Like a charcoal drawing in space, Whirlwind is a feat of imagination swirling up like a tornado; Stigora and a friend hand-charred the wood, pulling logs from the fire and dousing them with water to preserve the scarred luminous iridescence of the wood for the construction.  Alison wants all DoNsters to know she is not a pyromaniac, having a healthy fear of fire and does not play with matches.  The imposing sculpture continues Stigora’s investigation into the fractal like forms of the natural world, especially trees and all that art owes to them.

The Center for Emerging Visual Artists - Construct @ Crane Arts Center.

Alison Stigora, Whirlwind, detail.

The Center for Emerging Visual Artists - Construct @ Crane Arts Center.

Lewis Colburn was seated atop a 15 foot wooden tower where he typed War and Peace by Tolstoy during a performance at the opening reception; Colburn typed out part of the book relating to a theory about history and calculus, a repetitive process which spilled a long stream of paper into a puddle on the floor.  The Center for Emerging Visual Artists - Construct @ Crane Arts Center.

Lewis Colburn @ The Center for Emerging Visual Artists - Construct @ Crane Arts Center.

Maggie Mills has five paintings included in the exhibit, each artwork representing a bit of the anxiety she feels about the political and ecological environment her young daughter is growing up in.  Mills’ paintings incorporate compressed narratives, coupled with coming of age incidents and rituals.  In each of the paintings, young people are involved in a manner of play that involves constructions like kites but in a dream state haunted by angst, danger and fear for the future.

The Center for Emerging Visual Artists - Construct @ Crane Arts Center.

Swim Team, oil on panel, Maggie Mills @ The Center for Emerging Visual Artists - Construct @ Crane Arts Center.

Panoramic shot of the Icebox Gallery,  The Center for Emerging Visual Artists - Construct @ Crane Arts Center.

Artists exhibiting are: Noah Addis, Arden Bendler Browning, Lewis Colburn, Don Edler, Laureen Griffin, Jordan Griska, Ana B. Hernandez, Mami Kato, Allison Kaufman, Daniel Kornrumpf, Maggie Mills, Tim Portlock, Alison Stigora, Jennifer Williams, Kimberly Witham, and Bohyun Yoon.

Construct is on view through June 29th, a short run for such a big show but exhilarating in it’s scope, direction and audacity.

Photos by DoN.

 The Commodore Barry, mixed media on panel, Jessica Barber - The Industrial Complex: A Visual Interpretation @ Twenty-Two Gallery.

Flare Up at the Refinery, 4 color lithograph, Jessica Barber - The Industrial Complex: A Visual Interpretation @ Twenty-Two Gallery.

Some Strings Attached, mixed media on panel, Jessica Barber - The Industrial Complex: A Visual Interpretation @ Twenty-Two Gallery.

Investigating the super structure of her surroundings, Jessica Barber has discovered a hidden beauty in the ugly encroachment of the industrial complex we live in.  The harsh angles and abrupt interruptions in the landscape are the leaping off points for Barber’s intense paintings and prints.  There is no secret that her endeavor for this show was about industriousness whether in her complex lithographs, an artistic technology unto itself, thickly painted industrial landscapes or thoughtful, contemplative figures, the effect is serious yet hopeful insight.  Seeing the beauty in the ugly is something we have to live with anyway, Jessica see’s the blight and decides to make something beautiful, deep and lasting for us, capturing the moment when the sun hits the bridge at just the right angle or the soft glow of oily asphalt at sunset.  There may be no right answer to the ugliness but Jessica is willing to look hard and see the wonderful patterns, colors and textures inflicted on the industrial landscape and offer answers in the form of art.

Photos by DoN.

Lois Schlachter,  @ Philadelphia Sketch Club Volunteer Art Exhibit @ Art Space, Lansdowne, 2011

Steve Iwanczuk @ Philadelphia Sketch Club Volunteer Art Exhibit @ Art Space, Lansdowne, 2011.  That’s Steve reflected in the drawing on the right.

Lois & Steve have collaborated as the co-chairs of the Philadelphia Sketch Club’s Exhibition Committee for years, lately Lois is focused on her own art career, continuing to volunteer but now making new art, showing in galleries and entering competitions. Schlachter has had the unique experience of viewing virtually thousands of artworks submitted to the venerable art club’s competitions and exhibitions and now is creating her own memorable art, fractured planes, vibrant color, dreamy narratives like a mix of Charles Dumuth and Takashi Murakami.  Steve Iwanczuk teaches graphic design but his drawings are surreal and photographs technically exact, in this show he shows three sides of his persona, each piece strange and deep.

Philadelphia Sketch Club Volunteer Art Exhibit @ Art Space, Lansdowne, 2011.

Philadelphia Sketch Club Volunteer Art Exhibit @ Art Space, Lansdowne, 2011.

Mina Smith-Segal Philadelphia Sketch Club Volunteer Art Exhibit @ Art Space, Lansdowne, 2011.

Deborah Ann S. Horsting @ Philadelphia Sketch Club Volunteer Art Exhibit @ Art Space, Lansdowne, 2011.

Philadelphia Sketch Club Volunteer Art Exhibit @ Art Space, Lansdowne - Gift Shop!  Many of the artists brought prints, cards and posters to sell, Art Space’s lay-out is multi-purpose and really fun to wander through.  Art Space is a major component in the art vibe of Lansdowne, many of the locals came out to the show, the support of the neighbors is so important if art is the force communities use to stay vibrant and relevant.

Dorothy Roschen @ Philadelphia Sketch Club Volunteer Art Exhibit @ Art Space, Lansdowne, 2011.

Philadelphia Sketch Club Volunteer Art Exhibit @ Art Space, Lansdowne, 2011.

 John Schmeichen @ Philadelphia Sketch Club Volunteer Art Exhibit @ Art Space, Lansdowne, 2011.

Karen McDonnell & Anthony Cortosi @ Philadelphia Sketch Club Volunteer Art Exhibit @ Art Space, Lansdowne.  Karen & Anthony are collaborative by nature, often taking on responsibilities others don’t want to do ensuring art events can jump off.  The duo work together on their art, drawing and cutting stencils, spray-painting and decorating their canvasses until layers of memes, myths and memories are mashed-up like a DJ Shadow mix.

Rich Harrington @ Philadelphia Sketch Club Volunteer Art Exhibit @ Art Space, Lansdowne, 2011.

Volunteering is a good way to make friends, learn new things, experience different ideas and stretch social skills; sometimes it feels really good, sometimes it’s hard work but in the end people working towards a common goal, solving problems, creating opportunities, being selfless and inclusive is an art form unto itself.  Thank you so much to the Philadelphia Sketch Club and Art Space, DoN LoVeS seeing his work flanking Lois Schlachter and Steve Iwanczuk’s art, to be included in their company is an honor.  Not all the volunteers are represented in this blog post many other artists are in the expansive show, take the drive out to Lansdowne to see the show, support the volunteers and the view of the city on the drive back is spectacular, a fine reward.

Photos by DoN.

Rebekah Wilhelm, VIII - 2011 MFA Thesis Exhibition, University of Delaware Department of Art @ Crane Arts Center.

Rebekah Wilhelm, Untitled, detail

Rebekah Wilhelm, Untitled, VIII - 2011 MFA Thesis Exhibition, University of Delaware Department of Art @ Crane Arts Center in Fishtown.

Rebekah Wilhelm’s most excellent print display @ UD Crane is filled with information, tightly packed into clever, spare prints like an art lesson on less is more.  The prints of swirling words explains how viewers interact with vision, her chain link fence prints are confounding and restrictive and the reams of paper spread in a long swipe across the floor is provocative yet simple and easy. Wilhelm already has plans to go to work teaching at the University of Delaware and is considering studio space in Philly.  DoN chatted with UD Crane curator Anthony Vega, he highlighted how there was more focus on craft and skill in traditional media and no video this year.  C. Grant Cox, III includes multimedia and mechanics in his sculpture but there was a noticeable absence of flat screens and projections in the gallery.

Tara Russell,  VIII - 2011 MFA Thesis Exhibition, University of Delaware Department of Art @ Crane Arts Center.

Jacob Smiley, VIII - 2011 MFA Thesis Exhibition, University of Delaware Department of Art @ Crane Arts Center.

Tia Santana, VIII - 2011 MFA Thesis Exhibition, University of Delaware Department of Art @ Crane Arts Center.  Tia Santana’s performance/installation anchored the lower gallery by the stairs with the artist studiously braiding what looked a lot like hair into long dreads.  Dressed in white, Santana focused on expanding the mound of braids, weaving memes like “roots”, “identity” and “work” into a fascinating presentation of a simulacra-like archetype that a week later is still vibrant in DoN’s mind.

Daniel Jackson, VIII - 2011 MFA Thesis Exhibition, University of Delaware Department of Art @ Crane Arts Center.  Check out Jackson’s web site for a good look at his work, his paintings exhibit not just vibrancy and virtuosity but thoughtful content, decorative panache and strong painting science.  The glossy panels thick with layers of saturated color and ancient technique are mashed up with a contemporary sense of irony; Jackson’s paintings illustrate Vega’s observation of skill being penultimate.

Congratulations to Matt Giel for his desirable photographs, Leontien Rotteveel’s beatific objet trouve-like sculpture/installation and the entire class of UD 2011 for a refreshing look at the endurance of art.  The gallery is University of Delaware’s outpost away from school, offering students a really cool space to show their work, creating an aspirational vibe and a real clarity of vision of who artists can be after college.

Photos by DoN.

Elaine M. Erne, “Mr. Bunny Misses His Friends” @ Nexus Foundation for Today’s Art

Mr. Bunny Gets Screwed, graphite on paper, 90 x 60″.  Elaine Erne lost her toy bunnies with return instructions throughout Philly and May 12th many people returned what they found to the Nexus Foundation for Today’s Art, the Crane Arts Center in Fishtown.  If you returned a bunny you could exchange it for a numbered print and the bunny is hung on the wall, if you want to keep the bunny you found it cost you five bucks.  Elaine told DoN Mr. Bunny Misses His Friends causes the finder to decide whether to return the lost toy and participate in an interactive experience or just keep it and live with your conscience.  Many participants exchanged their finds for a signed, numbered print and took pictures of themselves with the installation and the artist.  Erne’s installation is anchored by two of her heroically scaled drawings facing each other across the room allowing the viewer to take in the scope of the drawing then move in close and feel the energy it took to complete the masterful drawings.

Elaine M. Erne, “Mr. Bunny Misses His Friends” @ Nexus Foundation for Today’s Art.

Elaine M. Erne finding one of her numbered prints to match the returned lost bunny at “Mr. Bunny Misses His Friends” @ Nexus Foundation for Today’s Art.  Erne’s interactive idea showcases her image making skill and innovative public interaction and social networking, adding a layer of sophistication, thoughtfulness, liven-ess and fun to Elaine’s art.

Elaine M. Erne, “Mr. Bunny Misses His Friends” and Leah Reynolds, “Bee Life” @ Nexus Foundation for Today’s Art.

The two artists share the space with Leah Reynolds Bee Hive themed installation cross pollinating Elaine Erne’s toys in peril with exquisite corpse-like dynamism.  Leah Reynolds told DoN she based her show on the lives of bee’s and the symbolism surrounding them from hives to queens to hair-dos - Super-Kawaii!  Reynolds’ photography is off the chain with dynamic hair portraits interspersed with interstitial abstracts, the environment enlivened by the whimsical paper sculptures and swathes of lace like being in a magical dream.

Leah Reynolds, “Bee Life” @ Nexus Foundation for Today’s Art.  Queen for A Day, the hanging fabric forms the shape of a cartoon-ish crown, an homage to the creepy early TV show which made home-making the pinnacle of being an American woman.

Leah Reynolds, “Bee Life” @ Nexus Foundation for Today’s Art.

Photos by DoN.

Before DoN met Todd Hestand of www.Philly.SideArts.com @ a Corzo Center for the Creative Economy event, he had already been posting blogs on the popular free artist’s website with it’s cool blog, great writing by local artists and educators, bio/portfolio pages for artists and Philly social networking.  Linking to the Philly.SideArts.com web site drives web traffic to DoNArTNeWs, posting a blurb on the site stimulates interest in all types of social, art, education, business and opportunities.  The catalog of artists who post their bios and art images on Philly.SideArts.com includes great painters like Arthur Ostroff and Karl Olsen, fine art photographers like Angelo Benedetto and digital artists like Lee Muslin, their database is superb.

Philly.SideArts.com has launched a grand new venture offering artists enhanced services such as art opportunities and expanded portfolio space at a really reasonable price, the same free site is still available and they are expanding to other cities with the same business model.  The possibilities of connecting artists, galleries, collectors, educators and business people in an easy to use, immersive design experience is really cool.   Imagine?  The Philly art scene is a model for other cities.

Art-trepreneur, Todd Hestand of Philly.SideArts.com gave away extended free memberships to artists whose business cards were pulled from a bag.  Jed, you left too early!

To celebrate the launch of the new site, Todd Hestand hosted a party at the Dark Horse Pub near Head House Square with a silent auction benefiting Philly Aids Thrift, so many artists offered donations that many had to be turned away, yet, there are still several fine art pieces available at the on-line auction including DoN’s “light being (Joey Ramone)“.   All the proceeds go to Philly Aids Thrift, please bid, there is some really cool art for a great cause.  The party drew a crowd of artists, friends and the art-erati such as Da Vinci Art Alliance’s Lilliana Didovic, artist/entrepreneur Jed Williams, the master Arthur Ostroff and Art in City Hall’s Guru, Tu Huynh - Todd did a terrific job explaining the benefits and services for the new and improved site and really mixed it up with the crowd.  Visit the Philly.SideArts site to see how vibrant, inspiring and diverse the Philly art scene really is and follow the progress of a thoughtful, intuitive idea to help artists connect in a meaningful way.

The silent auction sponsored by Philly.SideArts benefiting Philly Aids Thrift.

The Philly.SideArts.com easy to use homepage.  Join!

DoNArTNeWs began as an e-mail newsletter to a list of Philadelphia artists as suggested in the book “I’d Rather Be In The Studio“.  The big idea is to make an art date with yourself, visit a gallery or museum, talk to people, learn new things and gradually the block will lift and the fear of a blank canvas or page will fade to tolerable levels.  The book was originally suggested by friends, a group of guys (fellow artists) interested in improving their visibility in the art work through social networking.  The newsletter is a great idea but labor intensive so DoNArTNeWs gradually evolved into this blog - a review of art dates DoN (my third party voice) makes with himself, quickly Photoshopped and posted (along with constant insertions of shameless self-promotion), even though the small art alliance has drifted apart (one guy is re-covering from a torn rotator cuff, another has a neurological problem currently under control and the third is experiencing arthritis - sheesh!).  Since 2008 DoNArTNeWs has become a source of good art news in Philly.  So, when DoN’s voice became quieted due to the bodily invasion of an alien virus combined with long time chronic illness and the subsequent space-time morphing from a combination of OTC cold meds and biological disease modifying drugs, DoN is re-discovering the purpose of DoNArTNeWs and why the world around him has turned into a Philip K. Dick novel?  Disaster porn, fever dreams, waking up in a different universe with each dose of medicine has transmogrified into lack of productivity and a deep well of discontent to climb out of.

Underground Man, Apollo, & Meditation, Tom L. Torosian @ The Plastic Club through April 2011.

DoN realizes artists have come to rely on this blog for information, links and resources and is making every effort to regain his footing in the shifting art landscape and find his voice again.  DoN has received many well wishes but a recent comment on Facebook thanking him for a mention in this blog sparked some energy to keep pushing on.  Sunday DoN visited the Plastic Club which is filled with art, enthusiasm and creative spirit; the main floor is a boldly abstract expressionist solo show by Philadelphia painter, Tom L. Torosian, the upstairs studio is a group show of moving model studies with some spectacular drawings and mixed media and the Downstairs Gallery is a group member show including Leroy Forney, Charles Kelly, Yeoun Lee, Bill Myers and Sibylle-Maria Pfaffenbichler.  Torosian’s reception wasn’t until the evening so most of us gravitated downstairs with a lovely lunch spread out by Plastic Club president Bob Jackson who obviously is in love with the club’s professional grade range.  Sitting and talking, munching ham sandwiches with a group of friends about art and culture in an historic space is a healing exercise in itself.

Relationships & Reflection, Tom L Torosian - Art is Happening Again @ The Plastic Club.

Conjunction and Three Boats, Tom L. Torosian @ The Plastic Club.  Torosian’s bold neo-expressionist paintings ferment in his mind then explode from his hand onto the canvas, the expansive show of abstractions energizes and activates the gallery with a clear vision of how art can make one man happy with his life.

Sibylle-Maria Pfaffenbichler in the Moving Model Workshop show - a group show of drawings composed while the model slowly changes poses over time.  The practice helps Sibylle infuse action into her paintings of dancers which have earned her acclaim and awards.  Pfaffenbichler has a group of paintings in the Downstairs Gallery and won 3rd place for the Philadelphia Sketch Club’s Small Oils exhibit; DoN saw a preview of the Small Oils show before jurying at the invitation of PSC president Bill Patterson and Sibylle-Maria Pfaffenbichler’s fancy dancers stood apart from the hundreds of excellent contenders for the show, it was no surprise to DoN she won a prize.

Moving Model @ The Plastic Club.

Charles “Chick” Kelly @ The Plastic Club’s Downstairs Gallery.

Charles “Chick” Kelly with his paintings in the Downstairs Gallery @ The Plastic Club.  What a gentleman?  Chick’s self deprecating wit and fearless paintings of himself reveal an authenticity and genuineness of character.

Yeoun Lee @ The Plastic Club Downstairs Gallery.

Bill Myers @ The Plastic Club’s Downstairs Gallery.  Myers clever surrealistic Photoshop collages are deceivingly simple, the piece on the left is a collage of a graffiti photo with the heart bear layered in and “everyone bleeds now” text extracted from a clandestine shot of someone’s T-shirt design when combined morph into a love story with bleeding hearts, memes and symbols resonating like an orchestra of tin cans in a bag.

Bill Myers, Leroy Forney & Chick Kelly @ The Plastic Club Downstairs Gallery.

Photos by DoN.

Jed Williams

615 Bainbridge Street, Philadelphia, Pa, USA, Earth, Milky Way Galaxy, Thursdays & Fridays 5 - 7:00 PM &  Sundays 1 - 3:00 PM, also by appointment.

Jed Williams paintings poetically explore the inner world of symbols, memes & icons tapping into ancient mysteries and futuristic fears with Academy trained skill and worldly experience.  Located near the hip strip of clubs, galleries and restaurants along the East end of Bainbridge Street, Jed Williams Studio is incorporating marketing into his art business plan with monthly openings, group shows and special offers.  Jed is offering fairly priced prints, combo packages and try it, then buy it plans; business is often the Achilles Heel of being an artist, seeing Jed take on the juggling act of creating, marketing and curating his own gallery is a model of determination and confidence.

Drive My Car, oil & acrylic on canvas @ Jed Williams Studio, Philadelphia PA.

Jed Williams Studio

The Lock is the Key, acrylic & mixed medium on paper and a new untitled work.  Jed Williams is experimenting in 3D with a mash-up of found art and his unique pops of color and shine; Jed often imbues his paintings with glittery plastics, liquidy mylar and shiny mesh enhancing the experience of bold color vibrating the space within the canvas.  Transportation images are a recurring theme and the new sculpture/painting has a skate punk vibe.  Cars appear often in Williams paintings, the freedom and extension of will a car provides is a theme many can resonate with, to be able to just get away from it all, hit the road with a full tank of gas and a clear windshield is the ultimate luxury.

Jed Williams Studio, Philadelphia PA.

Photos by DoN

Plastic Club’s small Worlds 2011.

Paige Ozaroski, Closer Look, photograph, Gaby Heit, Morning, Sugar, watercolor.  246 works are included in the blockbuster event, the Plastic Club continues to draw out the best of artists as they each join the competition for the prestigious awards - imagine what went through the mind of juror Murray Desener when he learned the task ahead of him, he did a fantastic job.

Nick Brown @ Plastic Club’s small Worlds 2011.  Nick sketches from life on ceramic then scratches out relief for the glaze.  Caroline Maw-Dies, Woven Stoneware Basket, woven stoneware.

Mervyn Kline @ The Wanderer, print @ Plastic Club’s small Worlds 2011.  Mervyn & DoN are included in the show in the Downstairs Gallery @ The Plastic Club; Merv’s stylish renderings are retro futuristic with an ancient lost civilization vibe.  DoN will write a separate post about the show including Burton Greenspan, Diane Podolsky & Cara Kendric - DoN feels blessed to be included with such a fabulous group of fine artists, DoN has seven photos on display at the Plastic Club, a true honor.

Plastic Club’s small Worlds 2011, 246 artworks are on display at the Plastic Club, each small world unique yet when grouped cohesive in a simplistic, natural way - the above tableau of monochromatic works with touches of color is curatorial excellence considering the blockbuster size of the exhibit.

Sylvia Schreiber @ Plastic Club’s small Worlds 2011.  The actual drippy painting isn’t much bigger than the image on this page but packs a bold punch of color in person.

Don McPartland, Kicker Conspiracy, mixed media @Plastic Club’s small Worlds 2011; Don McPartland made a splash when he became a new member of the Plastic Club this year, 46 new artists, now capturing first prize with his soothingly complex confection, comfortably nestled in a niche in the dining room.

Plastic Club’s small Worlds 2011, click the thumbnail.

Sung Ham, Joo Hooy, oil, Mervyn Kline, Picasso Blues, digital print, Jen Tsui, Post Card, mixed media @ small Worlds 2011, The Plastic Club’s annual small art extravaganza.

Plastic Club’s small Worlds 2011, each nook and cranny holds a universe of small Worlds - Patricia Wilson-Schmid, Vortex, acrylic, Gail Zelikovsky, Landscape of Mars, silk painting, David DiDonato, Recycled Garden, acrylic, Lois Schlachter, Anxiety Dream, acrylic, Veronica Meekins, Nude Figure, pencil.

Phil Juska, Meatloaf at Gilleys, 2AM, construction @ Plastic Club’s small Worlds 2011

Caroline Maw-Deis, Put de Lime in de Coconut, fiber, Dorothy Roschen, Smoke-Made Landscape, smoke fired clay @ Plastic Club’s small Worlds 2011,  a huge art show of little works of art.

DoN is sad for Japan.  “Smile, even though your heart is breaking.”  With new eyes, look at the wonderful culture, community, vibrancy and beauty we are surrounded with every day and cherish each moment as if it could all be swept away in an instant.  “Life is still worth while, if you just smile.”

Barbara Keough, Three Out of Four Ain’t Bad, mixed media @ Plastic Club New Members 2011 Art Exhibition.   The Plastic Club has 36 new members and a low attrition rate due to the warm, welcoming laid back vibe of one of the longest running art clubs in America.  The New Members show is exceptional in the wide variety of media from fiber arts to painting, drawing and photograph; you would think there would be a tipping point but the leadership of The Plastic Club is sensitive to the needs of artists and makes every effort to help them develop through leading workshops, critiques, Salons, and monthly exhibitions including the Downstairs Gallery (the subject of DoN’s next post on DoNArTNeWs).

Barbara Keough’s painting embodies the spirit of the new group joining the club, her painting is witty, fun, cheerful and beautiful - a small painting which lights up on it’s own especially in the newly refurbished Plastic Club Gallery.  And the number 42, of course, is the answer to the ultimate question posed in The Hitchhikers Guide to the Galaxy.  The Plastic Club uses a unique numbering system which requires visitors to refer to a printed guide but also allows seeing the work for itself without being influenced by the cult of personality or reputation of the artist.

Chick Kelly @ Plastic Club New Members 2011 Art Exhibition.  Chick Kelly’s wonderfully ebullient and erudite character shines through his paintings combining contemplative color palette with stinging symbolism and strong story telling.

Maria Viataki, Dreams of Havertown, acrylic, Alexandra Pinero, Amaris Is Hazel, oil, & Burton Greenspan, Sun Lee, oil @ Plastic Club New Members 2011 Art Exhibition.  Doesn’t this look fabulous?

S.F. Pfaffenbichler, Rock I & Rock II, oil @  Plastic Club New Members 2011 Art Exhibition.

S.F. Pfaffenbichler @ Plastic Club New Members 2011 Art Exhibition.

Bob Jackson & Alan Klawans un-scrolled Sylia Pfaffenbichler’s action drawing from the Plastic Club’s on-going series of workshops called the Moving Model, the model slowly changes poses over a period of twenty minutes forcing the artist to quickly see and commit the image to paper, the results are evident in Pfaffenbichler’s great, joyful paintings of jazzy dancers.

Michael B. Tantaros, What, graphite & Yeoun Lee, Over the Rainbow, mixed media - DoN loves seeing these works together, the fine drawing is of Bill Myers, fellow photographer and Yeoun Lee who are both in the group multi-media art show Diverse Perspectives @ Da Vinci Art Alliance, reception February 25th, 2011, 5 - 9:00 PM, featuring the work of eight Da Vinci Art Alliance member artists.  DoN will be presenting Search Engine Optimization for Artists , Saturday, March 5th @ 2:00 PM, as part of the Diverse Perspectives exhibition running throughout March in the historic gallery in South Philly.

Past president Michael Guinn and current president Bob Jackson address the new members who have joined the Plastic Club, their leadership has improved participation exponentially and upgrades to the historic building are continuous - the back yard parties are infamous, too.

Jane J. Wilkie, Blue Sky, acrylic, Reta Sweeney, Snow on Stewart Lake, oil, Cara Kendric, Song of the Dawn, mixed media and Denise Romano Bright, Wisteria in Bloom, hand colored photo @ Plastic Club New Members 2011 Art Exhibition through February 25th, 2011.  Welcome to the New Members and thank you to The Plastic Club team for providing a venue for artists to grow and develop without feeling intimidated.

By the by, DoN has been updating the Album pages on the Plastic Club website, it’s a work in progress but the pictures will bring back many memories.

Michael B. Tantaros, Who, graphite @ Plastic Club New Members 2011 Art Exhibition; DoN is particularly drawn (no pun intended) to Tantaros‘ descriptive drawing and atmospheric naturalism.  The Plastic Club is famous for it’s inspiring workshops where artists can work with a live model for 3 hours really cheaply, an important factor in creating great art.

Don McPartland, Secession man, Weather Report & Free Range, mixed media @ Plastic Club New Members 2011 Art Exhibition.

Bill Myers, Dead Squirrel on My Bed, photograph & Robert Heiler, Winter’s Evening, watercolor @ Plastic Club New Members 2011 Art Exhibition.  Bill Myers surrealistic photographs will be on view at Da Vinci Art Alliance February 25th - March 26th, 2011.

Photos by DoN.