DoNArTNeWs

Sanding Ovations, Treasure Island, Florida

DoN was reading the art blog on the Huffington Post and came across a story about a sand castle artist.  DoN attended the Sanding Ovations Sand Castle competition on Treasure Island, Florida in November 2011 and was impressed by the high content level of the sand castles created with such lowly materials.  Sand castles is a misnomer because the artist’s create sculpture out of a difficult and ephemeral material.  DoNArTNeWs abandoned the story as vacation pics and not Philadelphia Art related, but it was a really good show, very competitive and extraordinarily creative.  And if Huff Post can cover sand sculpture art, so can DoN.

The metaphors and memes are just all over this category of sculpture from fading beauty to art as play to time conquers all.  The term sand castle just blows up with memories of childhood beach days.  Sanding Ovations exposes art to the community in a fun, understandable if confounding way and creates an experience design that’s inspiring to kids and adults.

First Place Prize and Sculptors Award Winner at Sanding Ovations.

The sand castle metaphor is apropos for artists who have to pull together disparate elements creating an object like a painting to be accepted by the community as a work of art.  Like herding cats, DoN chases after elusive grants, competes for wall space in art shows, makes new art, visits art shows, writes and promotes daily, constantly developing the DoN brand.  The sand castle DoN is working on now includes this blog, Contributing Writer to Side Arts, a tech start up, Philly based company, offering an excellent web presence for artists and DoN is near completion of a new book about Lilliana Didovic based on her art and the reviews DoN has published on DoNArTNeWs and Side Arts.

Karen M commented she hadn’t seen DoN around much lately, he’s been building sand castles and the wind and the waves slow his progress.  But, today The Philadelphia Sketch Club and The Plastic Club have openings with an abundancce of art and artists, last night DoN experienced Kile Smith’s, Vespers with Piffaro the Renaissance Music Band and The Crossing at Old Saint Joe’s Church in Old City - there’s another show today, if you can get tickets, the music, singing and orchestration is transcendental.  Talk about castles made of sand, about forty singers and musicians come together and produce an hour of spectacular beauty that wafts away on the breeze like a sand castle erodes from the weather.

View a clip from the Vespers premier in 2008, DoNBrewerMultimedia on YouTube.

DoN

Photographs by DoN Brewer shot with

Kodak Digital Cameras

Allison Kaufman talks about Dancing with Divorced Men, a series of photos and video at the Center for Emerging Visual Artists, October 27th, 2011.

Hear Ana B. Hernandez‘ artist talk at Philly.SideArts.

• “Modulate” A Spotlight Exhibition featuring Career Development Program Fellows Ana B. Hernandez and Allison Kaufman

  October 26 - November 22, 2011

  The Center for Emerging Visual Artists, 237 S. 18th Street, The Barclay, 3rd Floor, Philadelphia, PA 19103

Photos and video by DoNBrewerMultimedia.

Philadelphia Open Studio Tours 2011, Tim McFarlane in Old City, Saturday, October 15th.

Tim McFarlane’s studio in the heart of Old City Philadelphia is the archetypical artists’ loft, a steep climb up three pea green flights of stairs to arrive gasping into a high ceilinged loft space overlooking Third Street right off of Market.  The old industrial space is divided into three studios: Carol Royer’s figurative work greets you at the end of the epic climb, John Gatti has a spacious room in the middle and Tim McFarlane’s studio has windows overlooking the street.  John was painting while lola, Spike & DoN luxuriated in Tim’s studio filled with his exuberant stylized abstract paintings arrayed from floor to ceiling, paint splattered everywhere, outlines of canvases layered over years of work, brushes and paints poking out of cubbies - just like you imagine an artists’ studio to be.  Tim McFarlane has participated in the Philadelphia Open Studio Tours for many years, this year he was a cover model for the catalog, allowing the public to see the progress he’s accomplished in his art over the years.  The light shining in from being near the river glows into the space activating the color fields vibrating in the paintings, DoN thought about how this is the way a true artist lives, in a bright airy studio right in the hub of the lively contemporary arts scene in Old City with the energy and time to think big.

Philadelphia Open Studio Tours 2011, Tim McFarlane

Philadelphia Open Studio Tours 2011, Tim McFarlane

The swirly cellular structures from Tim McFarlane’s memorable abstract paintings are still present and prominent in his new work but now layers of patterns from stencils are laid in then painted over and into, deep layers of color, shape and contrasts make his individual canvasses vibrate.   A room full of Tim’s works in various stages of progress is really a privileged experience because his work is usually seen only in art galleries like Bridgette Mayer Gallery on Walnut Street.  In fact, Tim McFarlane’s work will be included in the upcoming show, Karmic Abstraction, November 15th through December 31, 2011 - “The show’s title reflects gallerist Bridgette Mayer’s “interest in the idea of the karmic cycle of an artist’s history of painting and ideas.” The selected works, by sixteen nationally- and internationally-recognized artists reveals, “how, at a given moment in time, standing in front of a work of art, the viewer is faced with the multiple layers and concepts that create a painting as well as a lifetime of ideas, actions and history that make up the career and art history of a contemporary artist.” (Bridgette Mayer Gallery website).

John Gatti.  DoN loves this picture of the artists’ studio, comparing and contrasting the shapes, tones and marks on panels against one another creates an energy field of color.

Photos by DoN.

The Center for Emerging Visual Artists (CFEVA)

Career Development Program Fellowship – Apply Now

Deadline:  November 1st

Open Call for Artists:  Career Development Program Fellowship for Emerging Artists.  For a select group of talented artists, our free Two-Year Fellowship includes: exhibitions and exposure opportunities around the region and beyond, a two-person exhibition in the second year of the fellowship, individual career counseling, professional development workshops, mentorship, community, volunteer opportunities, and alumni solo exhibitions and travel grants. This program serves artists residing within a 100 mile radius of Philadelphia.  For the online application and further eligibility requirements, got to http://www.cfeva.org/cfeva_programs_career.aspx .  For assistance or inquiries, please contact Amie Potsic, Director of the Career Development Program at: amie@cfeva.org or 215-546-7775 x 12.

Career Development Program Fellowship

Apply Now!

Deadline:  November 1st

The Center for Emerging Visual Artists™ strives to provide the essential support services and programs emerging artists need to build sustainable careers. Our two-year Career Development Program offers a select group of highly talented artists:

• Exhibitions
• Community
• Career counseling
• Mentorship
• Professional development seminars
• Volunteer opportunities
• Alumni solo exhibitions
• Alumni travel grants

Eligibility requirements include:

• Applicants cannot be full time students.
• Applicants must live within 100 miles of Philadelphia (NYC and the 5 boroughs, NJ, DE, and Baltimore included).
• Applicants cannot have an ongoing contractual agreement with a commercial gallery or gallery representation.

The application can be found online at http://cfeva.org/cfeva_programs_career.aspx  For more information, please contact Amie Potsic, Director of the Career Development Program at amie@cfeva.org or 215-546-7775 x 12.or 215-546-7775 x 12.

A M I E   P O T S I C, Director, Career Development Program

The Center for Emerging Visual Artists

237 S. 18th Street

The Barclay, 3rd Floor

Philadelphia, PA  19103

tel: 215.546.7775 x 12

fax: 215.5456.7802

amie@cfeva.org  I  www.cfeva.org

DoN is working on his application today - two goals and how CFEVA can help?

Haus of DoN, Philadelphia Open Studio Tours 2011

Philadelphia Open Studio Tours is the best value in artist public relations available to artists looking to promote their public image in the Philadelphia region.  In it’s twelfth year, the city wide art event has artists of all stripes opening their studios to the public – no kidding, a public art event of regional scope with many of the town’s top artists welcoming visitors into their think tanks.   The event is imbued with freedom, sharing, transparency, creativity and cooperation along with healthy American spirited competition.  The open-ness of Philadelphia Open Studio Tours is the coolest part; visitors experience environments that normally are private spaces where artists create and folks are not just allowed but encouraged to go behind the scenes. DoN’s claim that POST is the best value from a PR perspective is based on a cost/benefit analysis and target audience response.

POST offered a substantial early entry discount for artists, providing entrants with an artist profile web page with links on their comprehensive web site, listing in the information packed tour book with maps of every corner of the city inhabited by artists, a city and region wide advertising campaign, with banners, posters and art cards strategically supplied to almost 100 locations likely to attract interest to the appropriate demographic as well as special events, venues and workshops for artists whose studio is far off the beaten path.  POST’s goal was to get the right materials into the hands of art tourists likely to use them in a real way.  Every visitor to Haus of DoN held a curled back copy of the glossy catalog with their itinerary planned out to cover the neighborhood they had chosen to explore.  Each participating artist is provided with posters, art cards, catalogs and red balloons to promote their studio; the red balloons are a simple, effective signal to art crawlers that they’re heading in the right direction.

DoN’s decision to pay the $45 entry fee back in early Spring brought many dedicated friends and art enthusiasts to the Haus of DoN, South of South Street, a mostly residential area not near many commercial businesses.  The event pushed DoN to re-organize and display the wide array of interests he explores as part of his multimedia empire.  DoN had to spend no other money to promote the event instead advertising through FaceBook and DoNArTNeWs; no new art card this year, even though post cards are cheap to print and fun to design, mailing is costly and impact difficult to track.  DoN has had art cards returned by the Post Office months after the event was over.   DoN promoted the annual art crawl event on DoNBrewerMultimedia home page, on DoNBrewerMultimedia YouTube channel,  @DoNNieBeat58 on Twitter and Philly.SideArts.com, all free media outlets that directly targeted people interested in arts and culture.

Good advise from Ann Koivunen, director of exhibitions for POST, led DoN to think about what he wanted to present to the public and ponder his goals for the event; DoN decided to put on an art show.  Simply displaying photos, graphics, paintings and drawings in a beautiful, clean, pure way opened an opportunity to engage with visitors about what DoN does, his interests and connections and get his business card into the hands of each visitor.  The result is DoN met and interacted with more than fifty different citizens interested in the arts, including gallery owners, art curators, educators, fellow photographers, new neighbors, old friends and colleagues, he gathered contact information, intercepted  feedback on what people like about his art and experienced an authentic feeling of community for well less than a dollar per head including Candy Corn and Sweetzels  Ginger Snaps. 

Philadelphia Open Studio Tours 2011 continues October 15^th & 16^th, 2011 for studios East of Broad Street.

Super Nova, Photoshop collage, digital print, DoN Brewer, 2011

Decorating the Haus of DoN has been very gratifying, reinforcing the DoN brand with his abstract landscape photographs, including the “light being” series, original graphic prints and oil paintings, setting tableau’s and displays throughout the studio and is ready for visitors.  DoN’s body of work has grown substantially, DoN’s first creative job was Display Manager for a department store retail chain in the 1970’s, tapping into those skills has been nostalgic and liberating, marketing DoN’s product line like he did in the garden department at J.M. Fields.  Usually DoN’s major art works are packed and ready to show when opportunities arise and the Haus is decorated with the works of DuSold, DuPree, Stango and outsider artist Danny Gayder, the work of Masters influencing the path of DoN’s interests and goals.  The DoN collection would not exist if not for the influences of artist friends and mentors as well as collectors, helping refine DoN’s eye and continue art production with confidence.  After weeks of preparation DoN is looking forward optimistically for a delightful weekend of seeing old and new friends and sharing his art.  

The Haus of DoN is dedicated to all the artists participating in Philadelphia Open Studio Tours 2011; DoN understands the aches and pains of finishing projects, solving problems and decision-making involved in making an art work space inviting to visitors.  Thank you to the Center for Emerging Visual Artists for undertaking the task of organizing the citywide art event that is unique to Philadelphia.  Thank you to all the readers of DoNArTNeWs and Philly.SideArts; DoN is grateful to all the artists who share their skills, talents and stories for the art enthusiasts not just in Philly but around the world who follow DoN’s incursions into the realms of the art world throughout the city.  This weekend is also the opening of a month long exhibition by the Photographic Society of Philadelphia, the oldest photography society in America, at the Plastic Club with opening receptions each Sunday afternoon 2:00 - 5:00 PM; DoN has two favorite photographs included in the prestigious show of fine art photography.

A special shout-out to DoN’s nephew Bud Irwin serving in the Army in Afghanistan; knowing Buddy’s marching across arid desert mountains loaded with gear makes DoN stronger and braver to make new work, produce more videos, write more reviews, do more crunches at the gym and plan challenging new projects for the future.  Philadelphia Open Studio Tours 2011 is an opportunity to be optimistic, to brush off the haters, ignore the art bullies, defy the critics, escape the economic reality and be free to be an artist living, working and producing art in America.  The Haus of DoN, 2028 Pemberton Street, welcomes you.

LoVe

DoN

Ann Koivunen is the Director of Studio Tours and Exhibitions for Philadelphia Open Studio Tours, one of the top art events of its kind in the USA.  Ann offers great advice on what to do and what not to do to have a successful, fun event.  The clip is nine minutes, so get a cup of coffee and sit a spell, Ann has a wonderful perspective on POST.   DoNBrewerMultimedia is participating in POST 2011, October 1 & 2, 12 - 6:00PM, check the awesome on-line resources for information on neighborhoods and events at the POST website.

Video by DoNBrewerMultimedia

DoN has been bustling around the studio getting ready for POST, Philadelphia Open Studio Tours 2011.  While painting walls, rearranging furniture and making new works, DoN has been absorbed in implementing suggestions made by Todd Hestand @ The Corzo Center for the Creative Economy.  DoN is improving his social networking by having DoNArTNeWs art blog synergize with the various communications options available like FaceBook (DoNArTNeWs - DoN Brewer Art Review), YouTube (DoNArTNeWs - DoNBrewerMultimedia) and Twitter (@DoNNieBeat58).  By simply consolidating the information on DoN’s homepage, DoNBrewerMultimedia, visitors now see all the options to connect with DoNArTNeWs and DoN’s art work. writing, information, promotions and videos in one place.

The DoNArTNeWs FaceBook fan page has been a particular challenge with interesting rewards.  When DoN posts a blog on DoNArTNeWs or Philly.SideArts, part of the process is “advertising” the story on Facebook, promoting the story on as many relevant art “fan pages” and “group pages” as possible.  The DoNArTNeWs fan page automatically posts a tweet on Twitter and already DoN is trending with new followers.  DoN has a major photography show at the Hopkins House Gallery of Contemporary Art, the FaceBook events feature is an easy way to contact all your “friends” and estimate how many people will actually show up at the event.  Here’s the rub, you may have to contact each page and person individually to “like” your page, or reciprocate your link, or comment on a post.  DoN asked Todd Hestand how much time he spends per day promoting Philly.SideArts on social networks, “About two hours.”

Video will be a big part of future DoNArTNeWs reports making YouTube integral to the whole.  With HD quality video built into most digital cameras and smart phones, it makes sense to take a little time to make a movie, especially now that iMovie is so easy.  DoN has a cache of unseen footage that has been languishing since last Summer when he had to disassemble his video suite due to unforeseen forces.  But with POST forcing a studio clean-up, soon some major stories will include video clips as well as photographs and reviews.

August turned out to be a busy, creative time for DoN, making new work, participating in art shows, published in two art books, Da Vinci Art Alliance Then and Now: 1931 - 2011 (available on Amazon.com) and 175 Years of Reflection, Laurel Hill Cemetery 1836 - 2011 (available in the Laurel Hill Cemetery gift shop, really, there’s a gift shop), well received articles at the Philly.SideArts blog and a record number of page views on DoNArTNeWs.  It is such an honor to be included in two books documenting art history in Philly and to be recognized as “the press” by so many galleries and artists.  Thank you so much to all the fans of DoNArTNeWs, the support and feedback inspires DoN to keep it up.  Look for new and improved DoNArTNeWs and Philly.SideArts stories and if you’re on FaceBook please “like” the fan pages of the organizations you support, these pages are good resources for what’s happening on the art scene in Philly and opportunities for you to participate in our burgeoning creative economy.

The Center for Emerging Visual Artists - Construct @ Crane Arts Center.

Every corner of the mammoth Icebox Gallery in the Crane Arts Center is activated with visual signs, symbols and sensory stimuli.  Last January curator Amie Potsic sent a call for ideas to the Fellows of The Center for Emerging Visual Artists for the huge art space in Fishtown.  Site specific works were encouraged, developed and confirmed by April and last week all the pieces fell into place and Construct, an invigorating, unique, studied look at contemporary art and how assemblage, construction and collage is integral to the new way of seeing.  The photo above looks so Rauschenberg but it’s mash-up of two large installations, one a trippy multiple collage by Jennifer Williams applied directly on the walls and a large assemblage by Don Edler that sprawls across the concrete floor like a drift of entrancing debris.

Don Edler @  The Center for Emerging Visual Artists - Construct @ Crane Arts Center.

Mami Kato in coming to the end of a long relationship with the special Japanese grass she uses to create the sinuous sculptures which take years to make to a new direction using resin for the bio-morphic sculpture in the foreground.  Her work looks so beautiful in the Gray Area, tying up the space in a confounding knot of dense yet floaty tubules.

The Center for Emerging Visual Artists - Construct @ Crane Arts Center.

Laureen Griffin plays with styles, textures, composition and sexual role models - huh?  DoN overheard a comment, “What’s that girl doing in the chair?”  The girl is dressed quite masculine, like a business woman, reading a paper, a strong contemporary image of a black woman set against the grain of an antebellum manor.  Intensely conflicting narratives zipped through DoN’s neural network from stories embedded in the fabric, visual cues in the styling and strangely involving decor.  Gorgeous!

The Center for Emerging Visual Artists - Construct @ Crane Arts Center.

Kimberly Witham was concerned for a moment that the photographs that are so huge in her studio would seem dwarfed by the scale of Icebox, but arrayed salon style, the still life photographs using dead animals, wallpaper and found objects read perfectly well.  The beautifully rendered still life photographs are so bitter sweet, we get to look at beautiful creatures living on after death in a work of art, an exquisite corpse of a different kind.  Witham’s photographs drew a crowd of people who stood and stared a long time; the mixture of repulsion and fascination, ugly and beautiful, cheery and morbid strums a tender nerve.  And the concept that raw steak is not just the color of cabbage roses but can be sexually Dali-nian is genius.

The Center for Emerging Visual Artists - Construct @ Crane Arts Center.

Alison Stigora, Whirlwind, charred wood, site specific installation.  Like a charcoal drawing in space, Whirlwind is a feat of imagination swirling up like a tornado; Stigora and a friend hand-charred the wood, pulling logs from the fire and dousing them with water to preserve the scarred luminous iridescence of the wood for the construction.  Alison wants all DoNsters to know she is not a pyromaniac, having a healthy fear of fire and does not play with matches.  The imposing sculpture continues Stigora’s investigation into the fractal like forms of the natural world, especially trees and all that art owes to them.

The Center for Emerging Visual Artists - Construct @ Crane Arts Center.

Alison Stigora, Whirlwind, detail.

The Center for Emerging Visual Artists - Construct @ Crane Arts Center.

Lewis Colburn was seated atop a 15 foot wooden tower where he typed War and Peace by Tolstoy during a performance at the opening reception; Colburn typed out part of the book relating to a theory about history and calculus, a repetitive process which spilled a long stream of paper into a puddle on the floor.  The Center for Emerging Visual Artists - Construct @ Crane Arts Center.

Lewis Colburn @ The Center for Emerging Visual Artists - Construct @ Crane Arts Center.

Maggie Mills has five paintings included in the exhibit, each artwork representing a bit of the anxiety she feels about the political and ecological environment her young daughter is growing up in.  Mills’ paintings incorporate compressed narratives, coupled with coming of age incidents and rituals.  In each of the paintings, young people are involved in a manner of play that involves constructions like kites but in a dream state haunted by angst, danger and fear for the future.

The Center for Emerging Visual Artists - Construct @ Crane Arts Center.

Swim Team, oil on panel, Maggie Mills @ The Center for Emerging Visual Artists - Construct @ Crane Arts Center.

Panoramic shot of the Icebox Gallery,  The Center for Emerging Visual Artists - Construct @ Crane Arts Center.

Artists exhibiting are: Noah Addis, Arden Bendler Browning, Lewis Colburn, Don Edler, Laureen Griffin, Jordan Griska, Ana B. Hernandez, Mami Kato, Allison Kaufman, Daniel Kornrumpf, Maggie Mills, Tim Portlock, Alison Stigora, Jennifer Williams, Kimberly Witham, and Bohyun Yoon.

Construct is on view through June 29th, a short run for such a big show but exhilarating in it’s scope, direction and audacity.

Photos by DoN.